My impressions of the camera Fujifilm X-T1. Fujifilm X-T1 - Full review of the Fuji x t1

04.03.2020

Formally, the Fujifilm X-T1 is ranked below the flagship X-Pro1, which boasts an original hybrid viewfinder. However, the flagship processor is much weaker, burst shooting is slower, and when recording Full HD video, only 24p mode is supported, and besides, it does not have the now popular built-in Wi-Fi module. In general, it's time for the flagship to retire - it has been presented for a long time and has already become outdated.

The Fujifilm X-T1 has a new, much more powerful processor, a new matrix, a continuous shooting speed of 8 frames / s versus 6 for the flagship, 1080 / 60p video recording is supported, and there is a Wi-Fi module with wide functionality. The body of the camera is protected from moisture and dust ingress. The viewfinder, of course, is not as innovative as in the X-Pro1, but also quite good - an OLED matrix with a resolution of 2,360 thousand dots, that is, no worse than that of Sony's competitors.

⇡ Specifications declared by the manufacturer

Fujifilm X-T1
Image sensor	APS-C X-Trans II CMOS sensor with irregular color filter system
Effective number of points, MP	16,3
Image save format	photo frame: JPEG (EXIF 2.3, DCF 2.0), RAW Video:MOV (H.264)
Lens	Fujinion Super EBC XF 18-55 mm 1:2.8-4.0 R LM OIS interchangeable lens included
Frame size in pixels	photo frame: up to 4896x3264 Video: up to 1920x1080
Sensitivity, units in ISO equivalent	AUTO (with maximum ISO 6400) 200-6400; Extended sensitivity range: 100, 12800, 25600 and 51200
Exposure range, seconds	from 30 to 1/4000; Long: up to 60 min
Metering, modes of operation	TTL metering in 256 zones, multi/spot/average
exposure compensation	±3 EV in 1/3-stop increments
Built-in flash	Not
Self-timer, with	2/10
Information storage device	SD/SDHC/SDXC(UHS-II)
LCD display	LCD, 7.6 cm (3"), 1040K dots
Viewfinder	0.5-inch OLED color viewfinder with approx. 2,360 thousand points
Interfaces	HDMI, USB, external microphone
Additionally	WiFi module
Food	Li-ion battery NP-W126, 8.7 Wh
Dimensions, mm	129x89.8x46.7
Weight, g	440 (incl. battery and memory card) 390 (hull only)

⇡ Scope of delivery and additional options

Unfortunately, a trial sample for the press was provided for testing, the kit of which included only a battery, a charger, a standard lens and plugs for a hot shoe and a battery pack connector. According to the manufacturer's website, a complete boxed sample includes the following: NP-W126 lithium-ion battery, BC-W126 charger, EF-X8 external flash, shoulder strap, software disc (Viewer, Raw File Converter), and covers for bayonet, hot shoe, battery grip connector and sync contact.

Two vertical handles are available as options, and one of them is with the possibility of installing an additional autonomous power supply, Leather Case in retro style, as well as an external microphone, an adapter for threaded lenses, three flashes - with a guide number of 20 for younger solutions and 42 for older ones. In general, there are traditionally few options. But the lenses in the company's model range are no longer so few, and everything is as good as a selection.

⇡ Appearance and usability

Externally, the Fujifilm X-T1 looks more like a classic DSLR than a rangefinder, with which most mirrorless cameras have an external resemblance. Closest in design to it are the Olympus OM-D family cameras. More specifically, the appearance of the Olympus OM-D E-M1 also uses retro motives and it also looks like a DSLR, and in addition to this, it is also protected from moisture, like the tested camera. In general, he is one of the main competitors of the X-T1.

The body of the Fujifilm X-T1 is cast from magnesium alloy for high strength. In addition, the camera is protected from moisture and dust ingress into the housing. According to the manufacturer, 80 sealing elements were used for this.

The handle on the front, which makes it easier to operate the camera, is much smaller than that of the main competitor, however, holding the camera with the complete zoom lens is quite easy. And it is quite convenient to work with all the controls, of which there are many. The only exceptions are the two-story dial for selecting the sensitivity level and drive mode, as well as the focus mode selection lever, for which you have to use your second hand. However, this should not be taken as a drawback, because thanks to the presence of a sensitivity control dial, the efficiency of work is higher than in the case of using a hot key and control dials, and you don’t have to follow the value on the screen.

There are quite a few different functional elements on the front side, but this does not make it seem overloaded. In addition to the mount, there is an autofocus assist lamp, a front command dial, a programmable function key, a focus mode selector, and a synchronization port, which is extremely rare in mirrorless cameras.

There are also quite a lot of controls from the rear. Most of the surface is occupied by a tilted display, above which is the viewfinder, as well as the delete and view mode keys. To the right are the rear control dial, separate AE and AF lock buttons, the Focus Assist key, buttons for calling the quick menu and changing the display display mode (it is also return one level back in the menu), as well as four programmable navigation keys, which are combined into a schematic ring and supplemented with a button to enter the menu / enter in the center.

The upper part of the Fujifilm X-T1 body is replete with a variety of functional elements, which is why an unprepared user's eyes run wide at first. However, even the same unprepared user does not need to get used to it for a long time, because all the controls are very convenient to use. In the center, on a small pedestal, reminiscent of DSLRs, is a “hot shoe”. To the left is a diopter correction dial, as well as a two-story dial for selecting the drive mode and sensitivity, and to turn the latter, you must press the lock key in the center.

To the right are the key for switching between the viewfinder and the display, the shutter speed dial, supplemented by the metering mode selection lever, the exposure compensation dial, the shutter button with the power lever, as well as the function programmable key (by default, responsible for switching to wireless control mode) and the video record button. It is worth noting here that the release key has lost the ability to install a mechanical release cable. Of course, there is no urgent need for it, especially in light of the support for wireless control using a smartphone, but because of this, the Fujifilm X-T1 loses some of the charm of old film cameras. But the possibility of using a cable release in cameras of the Fujifilm lineup is found not only in expensive cameras made in retro style, but also in quite ordinary ultrazooms. All in all, it was possible to leave this "chip" at least as a tribute to tradition.

Below, in addition to the usual battery compartment and tripod connector, there is a port for connecting a battery grip, hidden by a rubber plug.

On the left side surface, under the rubber door, there are connectors for connecting USB and HDMI cables, as well as a combined connector for connecting a microphone or a wired remote control. On the right, under the plastic door, there is a slot for installing a memory card, which in the case of mirrorless cameras is usually found only in the most expensive devices.

Fujifilm is famous for releasing stylish advanced compact cameras, such as X100S or X-E2, but all of them are completely defenseless against water drops, sand and other external troubles. Protected models from Fujifilm are available only in the class of budget compacts, as well as in the class of ultrazooms.

Fujifilm X-T1 official portrait

A quick look at the Fujifilm X-T1 specifications is enough to realize that a lot has been borrowed from the X-E2 mirrorless. At the same time, the novelty is positioned as a device of a higher class, it costs more and is able to compete even with Olympus OM-D E-M1. Last year we remember the release of budget mirrorless cameras, such as X-M1 and X-A1, and now it seems that the time has come for flagships. However, there is still no reliable information about the replacement of the X-Pro 1. Fujifilm X-T1 was not only the first weatherproof system camera in the family, but also the first camera with the appearance of a film SLR of the last century.

Specifications, equipment, accessories


	Fujifilm X-T1	Olympus OM-D E-M1
Class		interchangeable lens mirrorless camera
Matrix	X-Trans CMOS II, 16.3 MP, APS-C (23.6 x 15.6 mm)	CMOS, 16.1 MP, Micro Four Thirds(17.3 x 13mm)
Picture format	JPEG, RAW (maximum resolution 4896x3264)	JPEG, RAW (maximum resolution 4608x3456)
Video Format	H.264 (1920x1080/60p)	H.264, Motion JPEG (1920x1080/30p)
ISO range	ISO 100-51200	ISO 100-25600
Bayonet	Fujifilm X	Micro Four Thirds
Shutter speed range	1/4000-30s, X sync - 1/180s	1/8000 - 60 s, X sync - 1/320 s
Screen	LCD, tilting design, diagonal - 3”, resolution - 1,040,000 dots	LCD, touchscreen, inclined design, diagonal - 3'', resolution - 1,040,000 dots
Viewfinder	electronic, resolution - 2,360,000 dots, 100% frame coverage, magnification - 0.77x	electronic, resolution - 2,360,000 dots, 100% frame coverage, magnification 0.74x
Memory		SD/SDHC/SDXC cards (up to 64 GB)
Flash	supplied, guide number 8 at ISO 100	supplied, guide number 7.4 at ISO 100
WiFi	built-in module	built-in module
Interfaces	USB/AV, HDMI	USB/AV, HDMI
Battery	Lithium-ion, NP-W126, 1260 mAh	Lithium-ion, BLN-1, 1220 mAh
Dimensions and weight	129 x 90 x 47 mm, 440 g	130 x 94 x 63mm, 430g

Fujifilm does not have a wide selection of accessories for its cameras. It mainly offers various cases, optional grips and flashes. With the release of the X-T1, this kit has been expanded with the VG-XT1 portrait-capable battery grip, as well as another MGH-XT regular grip. This pair of accessories is only compatible with the Fujifilm X-T1. However, all subsequent cameras will certainly receive their support.

Fujifilm X-T1 Package Contents

The camera comes with a charger and an NP-W126 battery, a set of caps and plugs, a shoulder strap, an external flash, a USB cable, and a CD with software and a user manual. It's also worth noting that the Fujifilm X-T1 comes with an advanced 18-55mm F2.8-4.0 zoom lens. True, this lens is not weatherproof - this should be remembered first of all.

Design and ergonomics

It is difficult to unequivocally determine what exactly the Fujifilm X-T1 looks like. Most likely, this is a 1970 Fujica ST701 camera. However, one can also see similarities with recent Olympus cameras. For the first time, Fujifilm mirrorless has a more pronounced grip, a pseudo-pentaprism with a viewfinder unit, and an optional battery grip. In general, everything is like a classic DSLR-like camera. Cameras in this form factor have long been in the collection of Panasonic, Olympus and Samsung. Durable magnesium alloy acts as the main material of the case, and its protection against moisture and dust is provided by gaskets at 80 points. The robust housing also guarantees stable operation of the camera in ten-degree frost.

Fujifilm X-T1 paired with fast optics

The front panel, in addition to the ergonomic ledge, contains a number of important controls. At the top of the handle is the front scroller. Next to it is an autofocus backlight LED and one of six programmable keys. The mount is equipped with a latch, and on the right side of the panel you can see a sync contact plug for external flashes and a focus mode switch lever, already familiar to us from previous Fujifilm mirrorless cameras. The entire front panel, including the handle, is covered with a textured synthetic material that is pleasant to the touch. The handle itself is not particularly ergonomic, but in any case it is better than nothing. In addition, there is an optional grip and even a weighty battery grip on sale.

It should be noted that the scroller is not convex enough - the contact area with the finger is small. Therefore, when scrolling, you literally have to iron the rubber of the case. The same drawback was found in the rear scroller, but we will talk about it below.

Fujifilm X-T1 without lens

The top panel is literally cluttered with large selectors and buttons. None of Fujifilm's mirrorless cameras could boast such an abundance. The ISO setting dial is located on the left side, and the drive mode switch is built in one floor below. On the left side of the viewfinder block, a diopter correction wheel is planted, and on its top is a standard “hot shoe”. On the right side, there is a shutter speed dial similar to the left one with a metering type switch. On the right edge of the panel sits the exposure compensation dial. The shutter button is combined with the camera power lever, and to the right of it, the video recording start button is recessed into the body. Another small button next to the exposure compensation dial is responsible for activating Wi-Fi.

All selector discs are made of aluminum, and shutter speed and ISO discs are equipped with position locks. This is generally one of the most controversial elements of ergonomics. Fixing the position is useful in a number of cases, but in the end it is more difficult to control such a scroller. This inconvenience will manifest itself especially clearly when shooting in shutter priority mode. In our opinion, the best thing to do is to make the scrollers tight enough to avoid accidental shifts.

On the top panel, you can notice the absence of a dedicated shooting mode switch. In top-end Fujifilm cameras, the shooting mode is changed by setting the aperture or shutter speed to “A” mode. On the right slope of the pseudo-pentaprism is the screen / viewfinder switch button. It is possible to completely turn off the display, and turn on the viewfinder only when the proximity sensor is triggered. This will significantly save battery power, especially since the main shooting parameters can be changed by mechanics.

Fujifilm X-T1 Top Panel

On the rear panel, the first thing that catches your eye is a large viewfinder with an impressive rubber eyecup. Fujifilm claims the X-T1's viewfinder is the largest viewfinder of any mirrorless camera. According to subjective feelings, its area corresponds to the size of viewfinders in top-end full-frame cameras like Nikon D800 / D800E. To the left of it are buttons for entering playback mode and deleting images. On the right is the exposure lock button, rear control wheel, and a separate autofocus lock button. The protrusion slightly interferes with the work with the scroller, as it slightly protrudes beyond the body. This, as we have already said, forces you to stroke the case with your fingers and apply more effort to scroll. A trifle, but we hope that the company will take this moment into account when developing the next cameras.

To the right of the display are the Focus Assist, Q and Disp/Back buttons. The first one launches various manual focus assist tools, such as focus peaking. The second is responsible for calling the quick menu, and the third switches the types of information displayed on the display. The button for entering and entering the main menu of the camera is surrounded by four navigation keys without any signatures. The extreme right part of the panel is rubberized and has a noticeable protrusion at the place where the thumb fits.

The left side is occupied by a door that hides the HDMI and USB connectors, as well as a 2.5mm jack for connecting an external microphone or remote control device. The opposite side includes a slot for a memory card. Incidentally, the Fujifilm X-T1 is the first digital camera to support the latest high-speed UHS-II SD cards.

Memory slot on the right side of the Fujifilm X-T1

Compartment for external connections on the left side of the Fujifilm X-T1

On the bottom panel in the area of the handle is the battery compartment, and next to it is a tripod thread. For mounting the battery handle there is a special connector closed with a rubber plug.

Fujifilm X-T1 bottom panel

The camera is available exclusively in black, at least for now. The dimensions of the camera are 129x90x47 mm and the weight is 440 grams. The nearest competitor, Olympus OM-D E-M1, has approximately the same parameters.

Display, viewfinder, interface

Back of the Fujifilm X-T1

Note that so far none of Fujifilm's high-end cameras have had a tilting screen. Only budget mirrorless cameras were equipped with such displays.

The viewfinder remained the same as that of the Fujifilm X-E2, that is, fully electronic and even retained a resolution of 2.36 million dots and 100 percent frame coverage. Most likely, Fujifilm saved their hybrid viewfinder for a higher-ranking model, which has not yet been heard from. In the menu, you can turn off both the viewfinder and the display at the same time, which is useful in astrophotography. The viewfinder is equipped with a diopter adjustment wheel and a proximity sensor. This is one of the best electronic viewfinders we have come across. In terms of image quality, it outperforms its analogue in the Olympus OM-D E-M1 and subjectively looks better than in the Sony A7/A7R. In addition, the X-T1's viewfinder has a record a high degree magnification equal to 0.77x, as well as a fairly small image delay.

The menu hasn't changed much. Were only added new items for programming keys. As already noted, six mechanical buttons are reprogrammable.

Functionality

The Fujifilm X-T1 borrows the 16-megapixel X-Trans CMOS II sensor from the Fujifilm X-E2 unchanged. The same sensor is installed in the Fujifilm X100S. His main feature, recall, is not only the absence of an AA filter, but also the support for hybrid autofocus due to phase sensors in the structure of the matrix itself. In addition, RAW files are recorded at 14-bit resolution for better halftone reproduction.

The standard ISO range is ISO 200-6400 but can be extended up to ISO 100-51200. The camera allows you to set the minimum shutter speed when working in Auto ISO mode, which is 1/500 of a second. The exposure compensation dial allows you to make adjustments ranging from -3 to +3 EV. And when shooting video, the ISO limit is 6400.

X-Trans CMOS sensor and EXR II processor

There are no changes in comparison with the X-E2 in the processor part either. The already familiar EXR II chip is installed here. The burst rate is 8 fps with active autofocus, and the buffer depth reaches 47 frames in JPEG format or 23 in RAW format when using UHS-II class memory cards. Shooting with continuous focus and active live view reduces the rate of fire to three frames per second, and the depth of the buffer in this case is limited by the volume of the memory card. The shutter lag is only five hundredths of a second, and it takes about half a second to turn the camera on and off.

One of the important features of the EXR II processor is the Lens Modulation Optimizer algorithm, which eliminates aberrations and optical diffraction effects. This is how it is implemented - the camera contains data for each compatible lens in memory and programmatically compensates for distortion taking into account such data. This function, if desired, can be turned off, and all the resulting distortions can be edited later manually in the RAW converter.

A focal-type shutter with vertical shutters is capable of operating at shutter speeds up to 1/4000 s, as well as operating in mode manual definition excerpts (Bulb). Strictly speaking, 1/4000 of a second is a fairly slow shutter speed when shooting wide open on a bright sunny day, and the camera does not include a built-in neutral density filter to reduce exposure. The shutter itself seemed noisy to us, and the electronic shutter, as in Lumix GM1, is not provided here. The shutter is synchronized with the flash at shutter speeds no shorter than 1/180 s, which is a rather modest value today. The Olympus OM-D E-M1 can sync at shutter speeds up to 1/320s.

It is impossible not to note the Fujifilm focusing system, which made a leap forward in just a year. Until recently, Fujifilm cameras were associated with extremely slow autofocus, a modest set of video modes and the lack of Wi-Fi. But with the release of the X-E2 and the budget X-M1, the situation improved dramatically. The Fujifilm X-T1 has a 49-point hybrid focus system with object tracking. Thanks to high-speed autofocus, it was possible to achieve the above rate of fire. In addition, this is one of the few cameras that offers three tools at once to help with manual focusing - focus peaking, zoom in on a fragment of the frame, and digital tool Split Image (peeped, apparently, from rangefinder film cameras).

It is worth adding that the focusing speed is highly dependent on which lens is installed on the camera. With the complete "glass" 18-55 mm, the camera focuses very quickly and practically does not make mistakes. And when using a 35mm F1.4 lens, focusing becomes much slower. The reward for such inconvenience is excellent picture quality. This is our favorite Fujifilm camera lens, no kidding.

The Fujifilm X-T1 does not have a built-in flash for its size, but it is still included. Its guide number is 8m at ISO 100. The included flash mounts in a standard hot shoe, and there is a sync pin on the front of the camera for connecting external strobes.

For Fujifilm mirrorless cameras, the presence of in-camera RAW processing has already become the standard, from which the X-T1 has not departed. Also here in in full force functions such as panorama shooting (2160x9600), a set of ten film simulation effects, eight creative filters, ISO bracketing, white balance, dynamic range and film simulation effects, multiple exposure, and interval shooting (with burst limitation, 999 frames maximum) .

As already mentioned, Fujifilm X-T1 supports Wi-Fi thanks to the built-in module. Using a smartphone or tablet, you can control the shooting process, receive captured images, upload data to social networks and even assign geotags. The set of wireless functions here is far from the richest, but all this is implemented intuitively and simply. There are two camera apps for Android and iOS devices - Fujifilm Camera App and Fujifilm Camera Remote. The latter allows you to use your smartphone as a remote viewfinder, change settings, focus and even record video. Basically, the Fujifilm Camera Remote includes all the features of the older Fujifilm Camera App. By the way, Fujifilm X-T1 was the first camera to support remote shooting functions.

And now we come to the most delicate moment. Namely - a park of compatible optics. The X-T1 was Fujifilm’s first weatherproof mirrorless camera, but the company simply didn’t have time to release at least a couple of corresponding lenses. Recall that Nikon 1 AW1 went on sale simultaneously with two sealed "glasses". All that remains for Fujifilm is to publish their plans for the release of optics for the next year or two. Protected lenses will be marked WR and in 2014 there will be three such models. This trio looks like this: 18-135mm F3.5-5.6 R OIS WR, 16-55mm F2.8 R OIS WR and 50-140mm F2.8 R OIS WR. The first zoom lens will be released in June this year. But, of course, the camera is fully compatible with ordinary, unprotected lenses, among which there are very high-quality specimens.

Test shots, videos, battery life

Since we have already dealt with the X-Trans CMOS II sensor, the expectations regarding the noise level were quite high. But despite the fact that the sensor here is the same as in the X-E2, we still did a test shooting, as the result may depend on the internal image processing algorithms. Recall that test shooting is carried out at night, under artificial lighting with a 40 W incandescent lamp. Noise canceling functions are completely turned off or - if it is impossible to turn off completely - they are activated with minimum power.

Fujifilm X-T1 @ ISO 100

Fujifilm X-T1 @ ISO 200

Fujifilm X-T1 @ ISO 400

Fujifilm X-T1 @ ISO 800

Fujifilm X-T1 @ ISO 1600

Fujifilm X-T1 @ ISO 3200

High quality one-piece magnesium alloy body
Weather seal and frost resistance
Logical design and intuitive operation
Excellent electronic viewfinder with minimal lag (except continuous shooting)
tilt display
Good screen visibility even in bright light or direct sunlight
Superior image quality
Wide sensitivity range
Best-in-class ISO performance, with low noise levels
Improved de-mosaicing when shooting small and high-contrast subjects
High shade accuracy
Very good dynamic range in RAW files
Film Simulation Mode
Separate light and dark settings
Very fast autofocus (although tracking focus is not at the level of top-end DSLRs)
High burst shooting speed up to 8 fps
Good buffer depth
Very good kit lens
Decent battery life (350 shots per charge)
Built-in Wi-Fi allows you to easily send photos to the Internet and has a good range for remote control
Support for fast memory cards (UHS-II), high responsiveness of the camera; lightning fast playback.

Flaws:

It's easy to accidentally hit the exposure compensation dial
The buttons on the 4-way navipad are too small and slightly "recessed"
Viewfinder lags significantly during continuous shooting
The viewfinder eyecup is small and does not block out unwanted light well enough (although an optional eyecup is available)
Continuous autofocus is not quite on par with the best DSLRs in terms of tracking accuracy
Slightly muted default color
Very limited dynamic range in JPEG with default settings
In some cases, the color rendering is lower than its predecessor
RAW files are not supported when ISO sensitivity above 6400
Warm white balance indoors in Auto and Incandescent mode
Saturation (Color) setting has little effect except for red
Panorama function does not handle moving objects
Interface for Wi-Fi remote control is not convenient and not logical
The geotagging feature relies on mobile phone and not the most convenient to use.

Almost everything about the design of the X-T1 system camera suggests that this is a "high-quality photographic device." It does not look like a modern plastic camera. You will love holding it in your hands, you will want to take photos with it and just own it. But perhaps the biggest selling point for the Fuji X-T1 is its incredibly low latency viewfinder compared to most electronic viewfinders. You will feel in the same plane with the subject, as it should be with a high-quality camera.

But that doesn't mean the Fuji X-T1 is perfect. It's great for framing in single shots, but the viewfinder lags far behind in continuous shooting on high speed. It gives the impression that it is showing a slideshow of just taken photos, and not showing a real live picture. This is a bit confusing and makes framing difficult. Tracking autofocus does not respond quite as quickly and accurately as in high-end DSLRs. There are also a few quirks in the physical controls: it's too easy to hit the exposure compensation dial, and the tiny four-way joystick buttons are small and slightly recessed, making them hard to press with your thumb.

Nevertheless, communicating with this camera you will enjoy and really high quality photos. And last but not least, the X-T1 is less bulky than a DSLR, so you're more likely to have it with you when you need to take the shot most.

The Fujifilm X-T1 system camera is waterproof and frost-resistant. But in order to shoot with it in the cold and in the rain, you will have to take care of the same protected lens. In July 2014, the first dust- and waterproof X-series lens (Fujinon XF 18-135 mm) appeared on the market, and the manufacturer plans to release several more protected lenses in the near future.

Most recently, Fujifilm introduced its latest X-T1 system camera.

After saturating the market with a range of entry-level and mid-level system non-DSLRs, the manufacturer turned back to photographers with professional requirements to the hardware. It can be said that the first circle of development of the X-series system cameras has been completed: after all, the X-Pro1 camera was the first in this series, which is unequivocally and still positioned as a top model with professional characteristics.

Each of the previous innovations carried individual improvements, but now the manufacturer considered it timely to collect them all together and invest in a strong, well-protected case in order to offer an almost universal photographic tool to the most demanding photographers, including professionals.

Key Features

16MP APS-C format X-Trans CMOS II CMOS sensor
Dust- and splash-proof housing and increased frost resistance
ISO expandable up to 51200 ISO
Electronic viewfinder with high resolution and high magnification
Flip-out LCD screen
Burst shooting with continuous AF up to 8fps
High performance of all systems
"Analog" controls for the main parameters
Six programmable function buttons
Battery grip (optional accessory)

Specifications X-T1

Class	Digital non-mirror system camera
Matrix	CMOS, X-Trans II, 23.6 x 15.6 mm (APS-C), 16.3 MP (4896 x 3264)
Viewfinder	EVI, on organic light-emitting diodes (OLED), 2.36 million points, x0.77 Customizable for vision
Photo Format	JPEG, RAW, RAW+JPEG
Light sensitivity	200-6400 ISO, expandable to 100, 12800, 25600, 51200 ISO
Shutter speed range	1/4000-30 s, free (up to 60 min.), sync speed 1/180 s
Burst shooting	8 fps - JPEG up to 47 frames, RAW or RAW + JPEG up to 23 frames in a series; 3 fps - JPEG up to card full, RAW up to 100 frames per burst
Focusing	Hybrid TTL autofocus: contrast detection (49 zones) and phase shift detection on the shooting matrix; tracking, one-time, continuous; manual with electronic rangefinder
Flash	Includes external EF-X8, HF 11 (for 200 ISO) Supports slow shutter and 2nd curtain sync; supports TTL wireless control of external matched flashes
Video	Full HD: 60p/30p, up to 36 Mbps (up to 14 min. continuous recording) HD: 60p/30p (up to 27 min. continuous recording) MOV format, H.264 codec
Screen	3" tiltable, 1.04 M dots
Memory	1 SD/SDHC/SDXC card slot (UHS-II supported)
Communication and interfaces	Wi-Fi, mini HDMI, USB 2.0; connector for external microphone
Food	Li-ion battery NP-W126
Other	10 film simulation modes; 8 creative filters; built-in RAW converter
Dimensions and weight	129×89.8×46.7mm 390 g (body only), 440 g (with battery and memory card)
Additional accessories	Overhead handle MHG-XT; battery pack/vertical grip VG-XT1

Appearance

The main external feature of the X-T1 is its, as they say now, form factor. If all the other cameras in the X-series look like classic rangefinders, this one looks like a DSLR, although it is not. It is appropriate to recall here that Fujifilm has its own rich experience in the production of SLR cameras. The first one, Fujica ST701, was released in 1970. True, the development of film DSLRs was discontinued in 1985, but that's another story.

The area occupied by the camera is almost the same as that of the previous novelty X-E2. And only the part that in SLR cameras is called the pentaprism housing (well, or pentamirror) and hides an electronic viewfinder with excellent characteristics, which we will talk about below, sharply distinguishes the new product from all other cameras of the X series.

The second most important point is the classic, "analogue" controls for the main parameters on the top panel. Shutter speed, exposure compensation, "film advance mode", metering type, ISO are selected by dials that have visual markings. Another useful "analog" switch is located on the bottom right of the mount when looking at the camera from the front. It switches focus modes: automatic continuous, automatic one-time and manual.

Same X-E2 and X-T1 as pictured above.

At the same time, the “analogue” controls are organically complemented by two convenient “twists”, front and rear. Behind the X-T1 is fundamentally no different from the others digital cameras, having the usual set of buttons and a push-button analogue of a joypad. The 3.0-inch megapixel screen folds down, allowing you to conveniently shoot the camera in Live View mode, looking at it both from above and from below. By the way, it is protected by tempered glass of special strength.

Internal content

Speaking about the internal content of the new camera, first of all, we should note the graphics processor - the electronic brain, which allows the most in an effective way extract the information received by the matrix. Here we have a tandem of second-generation nodes: X-Trans CMOS II CMOS matrices with a proprietary (non-Bayer) distribution of color filters on pixels and an EXR II processor.

At the same time, as already noted, one of the main features of the new camera is a new electronic viewfinder (EVF) based on an organic light emitting diode (OLED) display. It not only has a huge resolution (about 2.36 million pixels), which makes the image not look like pixel-digital. It is also very large: at an equivalent magnification factor of ×0.77, it somewhat outperforms the camera's optical viewfinder. Canon EOS-1DX, as well as the excellent EMI of the Olympus OM-D E-M1 quasi-SLR camera (which, as you can see in the picture on the right, has a slightly different aspect ratio). On the this moment it is the largest large-scale viewfinder among digital cameras, both types, both optical and electronic. Compared to the good viewfinder of the Fujifilm X-E2 camera, its area has become as much as 1.6 times larger.

We also note that the camera body is cast from a durable and lightweight magnesium alloy and has about 80 sealing points to protect against dust and moisture. In addition, the X-T1 camera has increased frost resistance; the manufacturer guarantees its reliable operation at temperatures down to -10°C.

Optics

Optics, of course, is also strong point the camera in question. In general, Fujifilm has been developing and manufacturing high quality Fujinon optics for a long time. The company has a lot of excellent lenses for both small format and very worthy medium format cameras. It is no coincidence that the legendary Hasselblad collaborated with Fujifilm in the development and production of optics for its autofocus digital medium format cameras, and a very interesting narrow-field panoramic camera, sold in America and Europe as the Hasselblad X-Pan, even received the informal nickname "Fujiblad" among the people.

The camera that came to us for testing was equipped with a standard zoom lens Fujinon XF18-55mm f/2.8-4R LM OIS. In 35mm equivalent focal length is 27-84 mm; this is not the largest range of focal lengths, but it is quite sufficient for most everyday shooting tasks. In addition, attention is drawn to itself, and although a little, but still increased aperture ratio compared to the main models of competitors.

Since the testers working for you also have Fujifilm equipment in their arsenal, the matter was not limited to one lens. Second workhorse of our tests was a telephoto zoom Fujinon XF55-200mm f/3.5-4.8 R LM OIS. Its equivalent focal length is 84-305mm; thus, both zooms form an almost universal tandem.

Both lenses have an effective built-in optical image stabilization system that allows you to confidently shoot handheld, stepping over the traditional maximum shutter speed by a good four stops. If the hands of the photographer are firm, you can take risks further, but preferably by making duplicates; even with a five-six-stop shutter speed, it is quite possible to get a sharp shot, at least one of several.

There are seven models in the current line of discrete lenses, from the Fujinon XF14 (21)mm f/2.8 R ultra-wide angle to the XF60 (91)mm f/2.4 R Macro. Of particular note is the XF27 (41) mm f/2.8 ultra-compact "pancake" and two particularly fast lenses - the "Bresson" wide-angle XF23 (35) mm f/1.4 R and the XF56 (85) mm f/1.2 portrait lens R. Zooms also include the convenient XF10-24 (15-36)mm f/4 R OIS wide-angle zoom.

It would not be superfluous to recall that Carl Zeiss also produces autofocus optics for this system. With this famous German brand, three excellent Zeiss Touit series discretes are now being produced: 12 (18) mm f/2.8 ultra-wide angle, 32 (48) mm f/1.8 standard lens and 50 (75) mm f/2.8 macro telephoto . It produces optics for Fujifilm cameras and is known to our readers as Samyang. In this line, photographers will find an 8 (12) mm f/2.8 fisheye, a 16 (24) mm f/2 wide-angle lens and a 300 (450) mm f/6.3 telephoto reflex lens. Available with X mount and tilt-shift Samyang 24 (36) mm f / 3.5 .

In addition, in the range of branded accessories there is an adapter that allows you to put optics for rangefinder watering cans on the “X” cameras.

In the near future, three more Fujinon XF zooms of the WR subseries should appear - with improved dust and splash protection to match the camera in question. These will be standard and long zooms with a constant aperture of f / 2.8 and an equivalent focal length of 16-55 (24-84) and 50-140 (75-210) mm, as well as a universal superzoom 18-135 (27-203) mm with variable aperture.

A common feature of all, all of the listed lenses, except for the “pancake”, is that they have an electronic aperture ring with a small switch. In position “A”, the aperture is set automatically by the camera, and in the opposite position, indicated by the aperture icon, this aperture must be selected manually by rotating the ring. This technique, by the way, fits perfectly with the “analog” control concept of the X-T1 camera.

In fairness, we recall that the brand line also includes two particularly compact budget zoom lenses of the XC series, a standard and telephoto. They were designed for the lighter, more compact "X" series cameras and do not have an aperture ring. Of course, you can also use them on the new camera (the aperture will be selected by one of the “twists”), but this optics, to be honest, seems to us not serious enough for the X-T1.

ISO

As we have repeatedly noted, all cameras of the Fujifilm "X" series demonstrate excellent performance when shooting at high ISO values. Of course, the new camera is no exception. The standard range of values, conveniently selected by the dial on the top panel, extends from 200 to 6400 ISO. There is also one low value (100) and three high values: 12800, 25600 and 51200 ISO, but in this case shooting is only possible in JPEG.

It is this scene that we decided to use to test the operation of the camera at different sensitivities.

It should be said that the designers have not yet learned how to deceive physics, and general rule- the lower the sensitivity, the higher the quality - this is also true for the X-T1 camera. However, adjusted for excellent mathematics and an excellent matrix. Up to ISO 1600, noise that builds up primarily in the shadows is quite acceptable, and if you plan on shooting in RAW and post-processing RAW files, you won't have any noticeable problems. In many cases, even 3200 ISO can be considered quite a working value, especially if you intend to use a small image, and not a full 16-megapixel image. And only at 6400 ISO high sensitivity artifacts become quite noticeable in the shadows, reduce the clarity and color reproduction of details. Although not to a critical level, which you can see for yourself in our test image.

When you click on the picture in a new window, an assembly of identical fragments of the image taken fujifilm camera X-T1 at all major ISO settings.

And only when switching to ultra-high values, the image begins to seriously suffer from digital “sand”, which already falls asleep in the bright areas of the picture. However, in any case, such ISO values are used by photographers as a kind of foul of the last hope, when the task is to take at least some kind of picture more important task get a high quality image.

Shooting practice

First of all, I want to say good words about the viewfinder. It may well be called exemplary for digital camera 2014 release. And it's not just a large and visual picture (2.36 megapixels resolution!), Which you see in it in the "full-frame" mode.

The image delay time in it is only 0.005 s according to the manufacturer, and the refresh rate has been increased to 54 frames / s. We didn't take our own measurements, content with the feeling that this delay is practically non-existent, and the image does not seem to flicker or jump.

The viewfinder display has several modes of operation. In FULL mode, the picture is displayed at maximum magnification and occupies the entire viewfinder field. In the "normal" mode, the image is slightly reduced, but the shooting parameters displayed are more visible. The most interesting mode is "DUAL": in this mode, the image in the viewfinder is divided into two zones. One shows the whole frame, and the other shows an enlarged fragment of the image for manual focusing, to which two special functions are provided: focus peaking (Focus Peak Highlight) and even a digital wedge (Digital Split Image - a digital analogue of Doden's wedges on the focusing screen of a non-autofocus SLR) . When shooting in portrait mode in full and normal modes, the image and information display also take on a vertical orientation.

I will dwell on the manual focus assistance modes in more detail. In the "focus peaking" mode, sharp edges and borders are highlighted with brightness, and the color of the selection can be selected. It can be white, red or blue (you can choose two shades for red and blue).

The image on the screen in Live View mode; on the left - autofocus, on the right - red "focus peaking".

The second mode is digital wedges. It has not yet been brought to the ideal, but someone may well like it. The maximally unsharp image in the central “wedged” zone is as similar as possible to the image of noise on a TV set that is not tuned to the TV transmitter signal. As it approaches the exact focus, the image acquires the features of this very wedging in four lanes, and at the moment of precise focus, the sharpest picture in all four lanes merges into a single whole. In general, it should be recognized that the Doden wedges on the focusing screens of good film DSLRs worked more clearly, but here, given the ability to enlarge the central zone to the entire field (viewfinder or screen) and the presence of a distance scale in the field of view, along which the indicator moves along with the rotation of the focusing ring distance, manual focus is also not challenging task. As they say, for an amateur.

Screen image in wedge mode (normal mode and full screen zoom); left - maximum defocus, right - fine focus.

In general, I must say that in this camera the electronic viewfinder won a complete and unconditional victory over an arbitrarily high-quality optical one. He had only one minus (more on this in the "Disadvantages" chapter).

The autofocus system uses phase shift detection and is remarkably fast; according to the manufacturer, its response time is 0.08 s, and we agree with this figure. At the same time, it works perfectly in high-speed continuous shooting mode, providing up to eight sharp frames per second. In general, all camera systems are distinguished by enviable nimbleness. Especially if you use the latest SDHC UHS II memory cards as a storage medium. The length of the maximum series of RAW-frames at a low speed of continuous shooting reaches 100 (one hundred) "shots", and at a high speed - twenty-three. At the same time, the filled buffer is emptied in just 9 seconds (with less modern cards, this time can be 15 seconds or more). By the way, when it comes to the maximum burst length, the number of frames that the camera can capture at the declared speed is indicated. However, shooting does not stop, only its regular speed drops, since the next frames are taken as space is freed in the buffer memory

In the hands of the camera sits perfectly. It seems that the handle is not very large, but in combination with a very ergonomic influx under the thumb of the right hand, it provides a secure hold with one hand, even if a relatively large telephoto zoom is installed on the camera. This, by the way, distinguishes the X-T1 model from the more compact and lighter cameras in the series. At the same time, ergonomics can be further improved by screwing the bracket with the MHG-XT handgrip to the tripod nut (its definite plus is that it does not block access to the battery compartment) or by acting in a completely professional way: by placing the VG-XT1 vertical handgrip on the camera, which is also a battery pack.

The "analogue" concept of controlling the main parameters is quite convenient. In this case, the photographer is not obliged to obey the need, for example, to set only shutter speeds fixed on the disk; the front “twist” dial allows you not only to switch shutter speeds in 1/3 steps, but also to select slow shutter speeds when the shutter speed dial is in the “T” position.

The VIEWMODE button on the side of the "prism housing" controls the type of sighting. With it, you can force the camera to switch from the screen to the viewfinder (usually this is done by a sensor that automatically turns off the screen and turns on the viewfinder when the camera approaches the eye). Or you can set the "viewfinder with sensor" mode; then the camera will not turn on Live View on the screen when you remove the camera from your eye; instead, the sensor will simply turn off the viewfinder to save power.

For greater ease of use, you can customize the functionality of as many as six buttons to your liking. One of them is in front, it is convenient to press it with the middle finger of the right hand. The second is located between the shutter speed dial and the exposure compensation dial. The functionality of all four buttons, which form a kind of joypad, is also configured. By the way, they do not even have any additional designations. These buttons can be assigned functions such as aperture repeater, macro mode, image quality or size, dynamic range, film simulation, focus area, and about the same number of other options. Moreover, for example, if the same function for selecting the focus area is assigned to all four buttons of the jopad, the joypad will become handy tool to move the active zone across the frame field at any time, without the need to enter a special zone selection mode. In addition, you can mutually switch the functions of the front and rear “twist” discs.

The camera supports remote control from smartphones and tablets thanks to its wireless connectivity and the free Fujifilm Camera Remote app. From a portable gadget, you can select the desired film simulation mode, control autofocus, white balance, flash, shutter release and other functions. Wi-Fi support also provides the ability to back up data to a laptop computer.

The camera does not have a built-in flash, but the kit includes a miniature external flash EF-X8, which is installed in the shoe and supports all modern flash functions. Given that the shoe is mounted on top of the prism pseudo-casing, and the flash itself in the working position is additionally raised, the lens mounted on the camera does not block the light of the flash even at minimum shooting distances. At the same time, on the front panel of the camera there is also a conventional PC-sync contact, with which the camera can be docked with studio impulse devices.

Of the interesting features, it is worth noting the presence of a built-in timer for time-lapse photography. You can select the interval between frames from one second to 24 hours and set the delay before the program starts from one minute and also up to a day. The only thing missing is a special program for automatically merging individual frames into a single video film, but it’s not bad even without it.

Flaws

During the first week of vigorous use, some shortcomings, of course, surfaced. I hope you understand at the same time that there are no cameras without flaws, especially if they end up in the hands of professional critics-specialists 🙂

I note a feature traditional for Fujifilm X cameras: the exposure compensation input dial located on the top panel on the right is not fixed in any way, even if only in the zero position. If you pull the camera out of the case to take a snapshot, it is possible that you accidentally move this disk, and you will not immediately notice the corresponding indication. If you have experience with X-series cameras, this will not come as a surprise to you. True, here, more effort is required to rotate this dial than on other cameras in the series, precisely to prevent accidental switching. However, because of this, not every user will be able to turn it with one movement of the right thumb without lifting the camera from the viewfinder; most likely, you will have to use two fingers.

The situation with the exposure compensation dial seems all the more strange because we have two whole dials next to each other, on which the task of fixing the value is solved in different ways: all values are fixed on the ISO dial, and only the “A” position on the shutter speed dial; to unlock in all cases, you need to press the central button. It is not clear what prevents doing the same for exposure compensation.

I would like to give more travel or more precise operation to the buttons that form the joypad. They are made almost flush with the body and have a soft short stroke. Apparently, this was done to simplify moisture protection and prevent accidental clicks. However, when you need to quickly switch the focus area, you will not be able to do it as clearly and clearly as on other models. I believe that in the cold with gloves on, the problem will worsen.

Some disadvantage is that the start of time-lapse shooting is not with the shutter button, but with the “OK” button. The fact is that when you press this button, even a camera mounted on a good tripod will surely move. This can be avoided by setting a response delay - but such a delay cannot be less than one minute. We hope that in the next firmware version of the camera this situation will be optimized either by moving the shutter to a traditional shutter button, or by providing the ability to make a normal pre-shoot delay (about two seconds).

A weak point was also discovered during studio tests. When you set the white balance to studio flash light, the image on the screen or viewfinder instantly turns yellow due to the difference in temperature between the target light and the target light. Since the camera is positioned as a professional one and even has a simple sync contact, I would like to have an appropriate flash mode with color correction (which, obviously, is easily implemented in software and can be added when updating the firmware).

Another niggle is the inability to use the classic mechanical cable release to release the shutter; For some reason, the thread from the release button disappeared.

At the same time, let me remind you that at the time of "delivering for publication" of this article, the camera is still being tested, and it has moved from prosperous Moscow to a very extreme conditions. Perhaps this section will be further expanded 🙂

Shooting quality and test photos

The quality of shooting is the main criterion by which we judge the camera. Here we did not expect any special miracles; image quality was supposed to be at the level of the X-E2 (and, to be formalistic, the X100S). In general, this is how it turned out. And that's good, because the output is accurate exposure, well-chosen white balance, and excellent color reproduction, perhaps corrected for your favorite Fujifilm film. And if you are already using one of Fujifilm's non-DSLRs, the quality and image processing techniques will be quite familiar to you.

The X-T1 shoots, let's not be afraid of the word, excellent JPEGs, but high art, as you know, requires RAWs. There are no problems with them: the latest versions of Adobe Camera RAW and Lightroom don't just support them; they support the main branded "chip", that is, stylization for film (confirming screenshot on the right). For a professional, the need to shoot RAW + JPEG may not arise at all, because the software will allow you to do everything you need. Moreover, the quality of the pictures after such processing is even better than that of the “camera” JPEGs. But if you suddenly need JPEG urgently - the camera retains the proprietary feature of all other cameras in the series, that is, the built-in RAW converter.

As a material confirmation of all of the above, we publish footage shot by a new camera especially for our magazine by Eduard Kraft, Sergey Romanov, Lena Volkova and Vladimir Morozov. All published images are shot in RAW and processed by Adobe Camera RAW in automatic mode, which does its job perfectly.

So take a look at our gallery.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/180s, f/16, 200 ISO. Studio flash light.
Imitation of Provia film. Viewing the full-size image, you can see the high detail of the camera even with a standard zoom lens and appreciate the excellent colors of Provia. © Vladimir Morozov.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/30s, f/4, 1600 ISO. Handheld shooting.
Macro photography. Handheld shooting in macro mode at slow shutter speeds and high ISO. Conclusion: 1600 ISO - quite a working value (the noise in the shadows is more like film grain than digital noise), the included stabilizer worked for 5 points.

XF18-55mm f/2.8-4 R LM OIS; f.r. 27.7 (42) mm; 1/500s, f/8, 200 ISO.
Shooting against the sun. The picture clearly shows that the camera is not prone to optical aberrations.

XF18-55mm f/2.8-4 R LM OIS; f.r. 18 (27) mm; 3.5 s, f/2.8, 200 ISO.
The camera measured the exposure superbly with a 10-stop ND filter and worked out a slow shutter speed of 3.5 seconds. © Eduard Kraft.

XF55-200mm f/3.5-5.6 R LM OIS; f.r. 122 (183) mm; 1/350s, f/11, 200 ISO.
University. The setting sun, enhanced by the imitation of Velvia film. © Vladimir Morozov.

XF55-200mm f/3.5-5.6 R LM OIS; f.r. 67 (101) mm; 1/100s, f/11, 200 ISO.
The photo illustrates well the wide dynamic range of the camera and the very correct auto white balance. © Eduard Kraft.

XF55-200mm f/3.5-5.6 R LM OIS; f.r. 200 (300) mm; 1/80s, f/5.6, 200 ISO.
The photo was taken from a low point on outstretched arms using a tilting camera monitor. In equivalent, the focal length of the lens was 300 mm, and the shutter speed was 1/80 s - praise to the built-in stabilizer. © Vladimir Morozov.

XF18-55mm f/2.8-4 R LM OIS; f.r. 50.5 (76) mm; 6 sec, f/10, 200 ISO.
Photographer Eduard Kraft.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 2 s, f/10, 200 ISO.
Shot on a tripod in long exposure mode, colors enhanced with Velvia film simulation. © Eduard Kraft.

XF18-55mm f/2.8-4 R LM OIS; f.r. 20.5 (31) mm; 4 sec, f/11, 200 ISO.
Shot on a tripod in long exposure mode, colors enhanced with Velvia film simulation. © Eduard Kraft.

Portrait. The camera is quite convenient to shoot in a studio with pulsed light, for this, in the "screen settings" menu, you need to turn off the exposure display mode. © Lena Volkova.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/180s, f/8, 200 ISO.
Fashion. Convert to b/w using the camera's built-in converter. © Lena Volkova.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/180s, f/5.6, 400 ISO.
Genre. Shooting in the studio with constant light Dedolight. B/W conversion with Adobe Camera Raw. © Sergei Romanov.

From this link you can download all the proposed test images in full resolution in JPEG format, as we received them after processing in Camera RAW. If you want, you can practice with RAW files yourself: to do this, download the RAWs by clicking on this link (attention, traffic!).

In order to be able to fully process the pictures taken by the X-T1 (as well as other latest innovations from Canon, Hasselblad, Nikon, Samsung, Sony, etc.), you will have to download the "release candidates" from the suggested links (workable and tested versions, while not passed mass testing by users) versions software for Adobe CS6 or CC software packages:

Final Conclusions

Summing up the above, we must honestly say that the new camera definitely and rightfully occupies the position of the top model in the Fujifilm X family of cameras. In general, the X-T1 camera is quite consistent with the requirements usually placed on professional cameras. It is designed to be strong, reliable and very fast. And its electronic viewfinder, obviously, will become a “reference point” for some time, it is with it that the EVI of other cameras will now be compared for compliance with international standards and the latest technology.

In addition, a noticeable retro-oriented design should be noted. As already noted, the camera is somewhere in the middle between the Olympus OM-D E-M1 cameras (a top non-DSLR of the micro-4/3 system with a “mirror” form factor and a professional functional set) and Nikon Df (a top DSLR with “ traditional" interface concept).

Without a doubt, the X-T1 camera will compete not only with non-mirror system cameras, but also with real DSLRs, and not only with the already mentioned Nikon model Df, but also with quite mass models of the middle and "upper-middle" level, like the Canon EOS 70D and analogues of other brands.

While the article was being prepared for publication, the X-T1 camera has already gone on sale in the first stores. Its price so far practically corresponds to the previously announced recommended prices: 54,999 rubles. for the body and 69 999 rubles. per set with XF18-55mm f/2.8-4 R LM OIS standard zoom lens. It is not cheap, but given the professional high performance and functionality the price doesn't seem too high. However, this is clearly not a camera for everyone; before investing in its acquisition, at least make sure that it lies comfortably in your hands. And if the first impression is positive, chances are you will love this camera and it will be able to reward you with great photos.

Fujifilm X-T1 camera review

I received a solid increase in comparison with the serial shooting. "Maximum speed" has not grown very much, up to 8 frames per second, but autofocus can work during all eight. This is a decent figure even for a professional reportage camera. The buffer was also at the level. In the most voracious RAW + JPEG format, the camera can take 23 photos. This, of course, is not 50 shots, but still very decent.

Comparison with the top one also arises when talking about the electronic viewfinder. We admired the EVI "olika", but he is no worse. Fuji engineers have relied on size - the viewfinder is really huge, even slightly larger than the optical "TVs" of full-frame DSLRs. It is difficult for people wearing glasses who cannot bring their eyes close to the eyepiece to see the entire frame, but there is a special mode for them when the picture does not occupy the entire area of the VI. In addition to the size was a high resolution of almost 2.5 million pixels, a record low, according to the company itself, lag, as well as a tricky system that works when shooting in a vertical position. The camera not only flips the picture, but also reorients Additional information. Very comfortably.

For those who do not want to use such a wonderful viewfinder, the device offers a three-inch display. It is very good, and most importantly, it finally got a swivel design. In top-end Fuji, this is the first such case.

Finally normal Wi-Fi

The device lost its built-in flash, while the kit comes with a simple external one that works through a “hot shoe”. It does not have enough stars from the sky, but in a critical situation it will give a little light. Naturally, through the "hot shoe" the camera can work with more advanced lighting fixtures. For studio shooting, a separate sync connector is provided, which solves the compatibility problem.

In less than three years, a full-fledged Wi-Fi appeared in the Fuji device. Our regular readers remember that the modules in and turned out to be very limited in capabilities - it was impossible to remotely control the camera through them. This is finally possible. Download a special application on your smartphone or tablet and get a great remote control with extensive customization options. GPS, however, did not appear in the camera.

Video capabilities completely repeat those of . In short, there are not enough tools for a professional videographer, but for amateur photography there are even an abundance of opportunities.

Working with the camera

In terms of electronic functions and work with the device, it absorbed everything that simpler models could offer, ranging from filters, effects and film modulation, which we examined in, and ending with a light modulation system that appeared in. Five types of bracketing, panorama stitching, auto ISO and much more, which we have already written about. Aside from HDR stitching, it probably has every electronic feature you could want. Even time-lapse shooting, which allows you to shoot a series of shots for time-lapse with flexible settings.

Only one memory card

Separately, I would like to say about manual focus assistance systems. There are three of them in the cell. The first mode is standard and consists in enlarging the central fragment of the image. The second is focus peaking, and we have already talked about it in . But there was also a third, exclusive assistant. It does not have an official name, on the Internet this system was nicknamed "digital wedges" because it mimics the effect of analog focusing screens (which are just "wedges" and are called). The principle of operation is well known to photographers of older generations who used rangefinder cameras. An image that is out of focus appears to be split in two, and when the photographer aims at the subject, it becomes sharp. It is very convenient and precise system focusing.

Obviously very well suited for manual focus lenses. Given the short working distance of the camera itself, through special adapters, you can install a lot of different optics on it, ranging from retro lenses to modern “glasses” from SLRs and Canon. This will come in handy for photographers who already have a mirror kit and are looking for a light and compact second camera.

conclusions

Given all of the above, the price of 55 thousand rubles for without a lens does not look fantastic. This, of course, is a lot, but do not forget that the device competes with the initial full-length cameras like or , which are not cheaper. And another type of competitor, top-end mirrorless cameras, are also not cheap.

Perhaps, Fuji was not disingenuous, calling it a professional model. Everything in the device is at the highest level - image quality, amazing ergonomics, reliable, all-round body, wide functionality and a lot of additional accessories. You can't complain about the narrowness of the range of lenses - Fuji has recently made its lineup very wide.

Of course, small questions remain. For example, why is there no GPS and HDR, shutter speed limited to 1/4000 s, and only one memory card? But these are particulars. Still, it’s impossible to imagine a reporter (autofocus is rather weak for such work), but a landscape painter, portrait painter or studio worker is quite. It remains to overcome the stereotype that a professional camera should be a SLR. This will be the most difficult task for you.