Comparison of characteristics of cameras Fujifilm X-T1, Fujifilm X-E2 and Olympus OM-D E-M1. My impressions of the camera Fujifilm X-T1 Fujifilm x t1 photos

As you probably know, a couple of months ago I completely gave up on SLR cameras. I don’t know if it’s temporary or not, but at the moment I shoot exclusively on mirrorless digital compacts. Also, you probably know that having tried all the major manufacturers of such cameras (which, of course, include exclusively and only Fujifilm, Sony and Olympus), I chose Fujifilm. Their top model X-Pro1 has been serving me for a couple of years, and on a recent trip to the Arctic I had a chance to test a fresh Fujifilm X-T1. As promised, I share my impressions. Traditionally, I want to note that this is by no means a review based on test results, but purely personal, purely subjective impressions of the camera. I should also note that along with the new camera model, the first copy of the new lens fell into my hands. Fujifilm XF 18-135mm f/3.5-5.6, so the impressions will be described in relation to this pair.

So, it's one thing to walk around the city with a compact camera, and quite another to take it as the main one in expeditionary conditions. There is a certain risk in this, because. and such cameras are less protected, work more slowly, batteries run out faster, and a lot of other little things. However, I still decided to rely on the X-T1, and for the purity of the experiment, I did not take any other camera with me at all, that is, absolutely. Well, aside from a couple of iPhones, of course.

Previously, I had repeatedly been in polar conditions in winter, so it was not scary to go in the summer. As it turned out in vain! For mosquitoes, mosquitoes and gadflies, as you know, can even lift the carcass of a deer into the air, not like some Moscow photographer there ... However, this would still not affect the choice of the carcass, which I took with me. Already put in conditions, so put. And so that everything is for real, in garlic. Survive means survive, no means no. And if it survives, then I want to understand whether it is convenient to use such a camera for all occasions or not. Well, or at least simply - perhaps or not.

Looking ahead a little, I will immediately answer this question - yes, it is possible! Convenient or not, it will already depend on the creative tasks and style of work, but for me personally it turned out to be quite convenient. However, there are a few nuances that it makes sense to pay attention to.

Batteries

Realizing well that power is a weak point on the expedition, even in the case of large DSLRs, I took 5 batteries with me. 2 of them are a working kit (one in the camera, the other in the battery pack), and 3 are spare. In fact, spares were never useful to me, however, I didn’t have trips to the tundra for more than 2 days. Each battery, depending on the style of shooting, allows you to shoot about 400-700 frames, for me personally this is more than enough. In general, the heels of quite compact (in comparison, for example, with Canon 1Dx) batteries completely solve the charge problem.

battery pack

Unusual accessory. On the one hand, it makes the grip very comfortable (after that, you don’t even want to hold the camera without a block) and gives additional features in terms of batteries. On the other hand, with such a block, the camera becomes not much smaller than a DSLR.

Although, it's still less. And less not only in the physical dimensions of the kit, but also in the size of the batteries, as well as the charger (charging for top-end DSLRs is half a suitcase). But for the convenience of grip, a certain amount is still needed, and purely tactilely, this can hardly be avoided. From this point of view, the dimensions of Fujik seem to me close to optimal. Even less will not be so comfortable to hold, and more - to bring us closer to the DSLRs. Although perhaps 20-30 percent less could still be done.

Swivel screen

Oh happiness! Finally, Fuji caught up with Olympus and Sony in this matter. The screen of all modern cameras should be swivel, period. Not even discussed.

Work speed

Everyone who is interested in digital compacts knows that the speed of work is their most sore point. And no matter what breakthroughs Olympus makes here, anyway, in our time, all these cameras do not work as fast as we would like. In this regard, the X-T1 is very pleased. Yes, it's not a DSLR yet, but it's another sure step in the right direction! Purely subjectively, the speed of work relative to the X-Pro1 is felt faster by 20-30%. This is due, among other things, to the new processor.

In general, the speed of digital compacts is made up of several criteria. Often, when buying such a camera and faced with a feeling of “brake”, people do not understand what is actually the cause of low speed efficiency. There are several main factors here:

1) Focusing speed.

Actually, this is the main criterion for the operation of the camera itself. The focusing speed, in turn, depends on the technological solutions of a particular camera, its brain filling and power, illumination and, of course, on the lens.

2) Flash card speed.

A very important and extremely underestimated factor. In short, without the most modern, fastest card, you can not even start working with digital compacts. And these cards are very expensive. For example, I bought my ADATA 64 Gb XC I Class 10 a year and a half ago for $200. And it was after this purchase that I suddenly realized that in fact everything is much faster than it seemed at first. Now there are probably cards more modern and faster.

3) Shooting speed (after focusing).

X-T1 produces 8 frames per second! And this is, to put it mildly, at the level of DSLRs.

In general, the combination of three factors impressions of the X-T1 remained extremely positive. Yes, this is not a SLR yet, but it is already very close to that. And if you consider that for my tasks, in general, the X-Pro1 is quite enough, then the X-T1 is just a gift.

ISO and noise

To be honest, I have not had problems with noise at high ISOs for a long time. Modern cameras are good at this task. For my personal taste, the worst is Sony and Olympus, which have “colored peas” instead of pictures at high ISO. Best of all are Canon and Fujifilm, which give a much more plastic image, which then, moreover, can be overclocked during conversion and calmly bent with curves in processing.

For example, this photo was taken at ISO 6400 and then overclocked by +5 stops when converting.

ISO 6400, 1/370 sec, f/3.5

Enlarged fragment at 100% scale (hereinafter, no sharp is applied on all the presented crops):

ISO 6400, 1/370 sec, f/3.5

Well, yes, it’s a bit noisy (and how you wanted at such an ISO and with such overclocking), but at the same time it’s quite a human picture with a tolerable level of detail. Such a picture can be printed on a large format, published in a book, etc.

And this is what ISO 200 looks like in the sun. Absolutely human, plastic, live picture. By the way, did you find a mosquito?

ISO 200, 1/350sec, f/8.0

Enlarged fragment at 100% scale:

ISO 200, 1/350sec, f/8.0

Fujifilm XF 18-135mm Lens

And here we are gradually approaching a fly in the ointment. Surely, looking at the previous photo, many of you have already wondered - what for for such a plot was ISO 6400? Light is enough.

Quite, but not quite ... To be honest, I'm so used to working with fast lenses that I didn't even pay attention to the maximum open aperture of the universal 18-135, which is f / 3.5-5.6. In this case, I shot at a wide angle, so the camera set the aperture to 3.5.

A small lyrical digression. Having extensive experience in shooting in manual modes, manual sharpening and working with fixes in general, I nevertheless came to work exclusively in automatic modes a long time ago. Somehow it never occurred to me that there might not be enough light, despite the fact that there is clearly enough light.

What is f/3.5 compared to, for example, f/2.8 for an 18-55 lens? This is almost 1 stop of exposure, that is, when shooting at 18-55 ISO, it would be no more than 3200. And in the case of a 35mm fix with f / 1.4 aperture, the ISO would already be 3 stops less, that is, 800. And this is a huge difference.

I didn’t have enough aperture to shoot this shot taken from a helicopter.

ISO 200, 1/100 sec, f/5.0

I shot as vertically down as possible with zooming in (zooming). The camera delivered ISO 200, f/5.0 aperture, and a shutter speed of 1/100 sec. For a focal length of about 80 mm, this is already on the verge, and given the vibrations of the helicopter, it is clearly not enough. As a result, all the photos turned out to be a little blurry. Here is a 100% snippet:

ISO 200, 1/100 sec, f/5.0

Let's be honest to the end - I screwed myself. Of course, it was possible to switch to manual control and raise the ISO. Then photographs of the tundra from a helicopter would be useful not only for the Internet, but also for some kind of exhibition (I was already offered, I had to refuse precisely because of technical imperfection). But it never occurred to me that the lenses are so dark.

By the way, this lens has a very decent stabilizer. Really works very well, but ... as it turned out, not in vibration conditions. In ordinary life, the stabilizer really noticeably neutralizes the lack of aperture ratio. This can be seen on the example of this shot taken with a maximum zoom of 135 mm at a shutter speed of 1/320. Everything would be fine, but an important point - with a boat rocking on strong waves!

ISO 200, 1/320sec, f/5.6

100% crop:

ISO 200, 1/320sec, f/5.6

Summary - use the Fujifilm XF 18-135mm with great care, and first of all for scenes with good lighting. If there is enough light, the glass gives a very pleasing result, pattern, bokeh and whatnot. Barrels are minimal, vignetting is pleasant. Everything is fine, but only in the sun. As soon as we enter the room, we need to cling to something like 35 mm f/1.4 or to the extreme 18-55 f/2.8-4.0. Well, in conditions of vibration, manually control it to your liking.

What else can I say about this camera.

Ergonomics

Anton Martynov wrote in his review of the Fujifilm X-T1 that the camera has ergonomic flaws. I partially agree with this opinion - indeed, after the X-Pro1 it is not always possible to immediately find the buttons on the rear panel. Maybe it's a matter of habit, I don't know.

On the other hand, in this chamber, the Fuji have honed their wheels to almost perfection. Now they are in their places, they do not spin spontaneously, and in general all key parameters (shutter speed, aperture, ISO, shooting and focus modes) are controlled mechanically (and not from the menu or programmatically). I am delighted!

Viewfinder

The viewfinder that is optical is actually digital. Works great, fast, no lags. But somehow I've been working mainly on the screen lately, so for me this is not a fundamental point.

Protection against dust and moisture

I don’t know how protected the camera is, but I shot it in the rain and in the spray on the boat, there were no problems. Everything works, there are no failures.

The camera also has other goodies, like Wi-Fi controlled via the iPhone, but for me they are not fundamental (although I tested it - it's a nice thing).

And finally, a few photos from this expedition, taken with the Fujifilm X-T1 + Fujifilm XF 18-135 mm f/3.5-5.6 kit. And then - my personal summary conclusion.

ISO 200, 1/350sec, f/7.1

ISO 200, 1/150 sec, f/4.0

ISO 200, 1/125sec, f/4.0

ISO 2000, 1/100 sec, f/3.5

ISO 6400, 1/45sec, f/4.2

ISO 200, 1/240sec, f/5.6

ISO 6400, 1/34sec, f/3.5

ISO 200, 1/140sec, f/5.6

ISO 6400, 1/34sec, f/3.5

ISO 6400, 1/52sec, f/3.6

ISO 200, 1/400sec, f/5.6

ISO 200, 1/150sec, f/5.6

All photos from this trip can be seen in previous publications.

Most recently, Fujifilm introduced its latest X-T1 system camera.

After saturating the market with a range of entry-level and mid-level system non-DSLRs, the manufacturer turned back to photographers with professional requirements to the hardware. It can be said that the first circle of development of the X-series system cameras has been completed: after all, the X-Pro1 camera was the first in this series, which is unequivocally and still positioned as a top model with professional characteristics.

Each of the previous innovations carried individual improvements, but now the manufacturer considered it timely to collect them all together and invest in a strong, well-protected case in order to offer an almost universal photographic tool to the most demanding photographers, including professionals.

Key Features

• 16MP APS-C format X-Trans CMOS II CMOS sensor
• Dust- and splash-proof housing and increased frost resistance
• ISO expandable up to 51200 ISO
• Electronic viewfinder with high resolution and high magnification
• Flip-out LCD screen
• Burst shooting with continuous AF up to 8fps
• High performance of all systems
• "Analog" controls for the main parameters
• Six programmable function buttons
• Battery grip (optional accessory)

Specifications X-T1

Class	Digital non-mirror system camera
Matrix	CMOS, X-Trans II, 23.6 x 15.6 mm (APS-C), 16.3 MP (4896 x 3264)
Viewfinder	EVI, on organic light-emitting diodes (OLED), 2.36 million points, x0.77 Customizable for vision
Photo Format	JPEG, RAW, RAW+JPEG
Light sensitivity	200-6400 ISO, expandable to 100, 12800, 25600, 51200 ISO
Shutter speed range	1/4000-30 s, free (up to 60 min.), sync speed 1/180 s
Burst shooting	8 fps - JPEG up to 47 frames, RAW or RAW + JPEG up to 23 frames in a series; 3 fps - JPEG up to card full, RAW up to 100 frames per burst
Focusing	Hybrid TTL autofocus: contrast detection (49 zones) and phase shift detection on the shooting matrix; tracking, one-time, continuous; manual with electronic rangefinder
Flash	Includes external EF-X8, HF 11 (for 200 ISO) Supports slow shutter and 2nd curtain sync; supports TTL wireless control of external matched flashes
Video	Full HD: 60p/30p, up to 36 Mbps (up to 14 min. continuous recording) HD: 60p/30p (up to 27 min. continuous recording) MOV format, H.264 codec
Screen	3" tiltable, 1.04 M dots
Memory	1 SD/SDHC/SDXC card slot (UHS-II supported)
Communication and interfaces	Wi-Fi, mini HDMI, USB 2.0; connector for external microphone
Food	Li-ion battery NP-W126
Other	10 film simulation modes; 8 creative filters; built-in RAW converter
Dimensions and weight	129×89.8×46.7mm 390 g (body only), 440 g (with battery and memory card)
Additional accessories	Overhead handle MHG-XT; battery pack/vertical grip VG-XT1

Appearance

The main external feature of the X-T1 is its, as they say now, form factor. If all the other cameras in the X-series look like classic rangefinders, this one looks like a DSLR, although it is not. It is appropriate to recall here that Fujifilm has its own rich experience in the production of SLR cameras. The first one, Fujica ST701, was released in 1970. True, the development of film DSLRs was discontinued in 1985, but that's another story.

The area occupied by the camera is almost the same as that of the previous novelty X-E2. And only the part that in SLR cameras is called the pentaprism housing (well, or pentamirror) and hides an electronic viewfinder with excellent characteristics, which we will talk about below, sharply distinguishes the new product from all other cameras of the X series.

The second most important point is the classic, "analogue" controls for the main parameters on the top panel. Shutter speed, exposure compensation, "film advance mode", metering type, ISO are selected by dials that have visual markings. Another useful "analog" switch is located on the bottom right of the mount when looking at the camera from the front. It switches focus modes: automatic continuous, automatic one-time and manual.

Same X-E2 and X-T1 as pictured above.

At the same time, the “analogue” controls are organically complemented by two convenient “twists”, front and rear. Behind the X-T1 is not fundamentally different from other digital cameras, having the usual set of buttons and a push-button analogue of a joypad. The 3.0-inch megapixel screen folds down, allowing you to conveniently shoot the camera in Live View mode, looking at it both from above and from below. By the way, it is protected by tempered glass of special strength.

Internal content

Speaking about the internal content of the new camera, first of all, we should note the graphics processor - the electronic brain, which allows the most in an effective way extract the information received by the matrix. Here we have a tandem of second-generation nodes: X-Trans CMOS II CMOS matrices with a proprietary (non-Bayer) distribution of color filters on pixels and an EXR II processor.

At the same time, as already noted, one of the main features of the new camera is a new electronic viewfinder (EVF) based on an organic light emitting diode (OLED) display. It not only has a huge resolution (about 2.36 million pixels), which makes the image not look like pixel-digital. It is also very large: at an equivalent magnification factor of ×0.77, it is somewhat superior as an optical viewfinder Canon cameras EOS-1DX, as well as the excellent EMI of the Olympus OM-D E-M1 quasi-SLR camera (which, as you can see in the picture on the right, has a slightly different aspect ratio). On the this moment it is the largest large-scale viewfinder among digital cameras, both types, both optical and electronic. Compared to the good viewfinder of the Fujifilm X-E2 camera, its area has become as much as 1.6 times larger.

We also note that the camera body is cast from a durable and lightweight magnesium alloy and has about 80 sealing points to protect against dust and moisture. In addition, the X-T1 camera has increased frost resistance; the manufacturer guarantees its reliable operation at temperatures down to -10°C.

Optics

Optics, of course, is also strong point the camera in question. In general, Fujifilm has been developing and manufacturing high quality Fujinon optics for a long time. The company has a lot of excellent lenses for both small format and very worthy medium format cameras. It is no coincidence that the legendary Hasselblad collaborated with Fujifilm in the development and production of optics for its autofocus digital medium format cameras, and a very interesting narrow-field panoramic camera, sold in America and Europe as the Hasselblad X-Pan, even received the informal nickname "Fujiblad" among the people.

The camera that came to us for testing was equipped with a standard zoom lens Fujinon XF18-55mm f/2.8-4R LM OIS. In 35mm equivalent focal length is 27-84 mm; this is not the largest range of focal lengths, but it is quite sufficient for most everyday shooting tasks. In addition, attention is drawn to itself, and although a little, but still increased aperture ratio compared to the main models of competitors.

Since the testers working for you also have Fujifilm equipment in their arsenal, the matter was not limited to one lens. Second workhorse of our tests was a telephoto zoom Fujinon XF55-200mm f/3.5-4.8 R LM OIS. Its equivalent focal length is 84-305mm; thus, both zooms form an almost universal tandem.

Both lenses have an effective built-in optical image stabilization system that allows you to confidently shoot handheld, stepping over the traditional maximum shutter speed by a good four stops. If the hands of the photographer are firm, you can take risks further, but preferably by making duplicates; even with a five-six-stop shutter speed, it is quite possible to get a sharp shot, at least one of several.

There are seven models in the current line of discrete lenses, from the Fujinon XF14 (21)mm f/2.8 R ultra-wide angle to the XF60 (91)mm f/2.4 R Macro. Of particular note is the XF27 (41) mm f/2.8 ultra-compact "pancake" and two particularly fast lenses - the "Bresson" wide-angle XF23 (35) mm f/1.4 R and the XF56 (85) mm f/1.2 portrait lens R. Zooms also include the convenient XF10-24 (15-36)mm f/4 R OIS wide-angle zoom.

It would not be superfluous to recall that Carl Zeiss also produces autofocus optics for this system. With this famous German brand, three excellent Zeiss Touit series discretes are now being produced: 12 (18) mm f/2.8 ultra-wide angle, 32 (48) mm f/1.8 standard lens and 50 (75) mm f/2.8 macro telephoto . It produces optics for Fujifilm cameras and is known to our readers as Samyang. In this line, photographers will find an 8 (12) mm f/2.8 fisheye, a 16 (24) mm f/2 wide-angle lens and a 300 (450) mm f/6.3 telephoto reflex lens. Available with X mount and tilt-shift Samyang 24 (36) mm f / 3.5 .

In addition, in the range of branded accessories there is an adapter that allows you to put optics for rangefinder watering cans on the “X” cameras.

In the near future, three more Fujinon XF zooms of the WR subseries should appear - with improved dust and splash protection to match the camera in question. These will be standard and long zooms with a constant aperture of f / 2.8 and an equivalent focal length of 16-55 (24-84) and 50-140 (75-210) mm, as well as a universal superzoom 18-135 (27-203) mm with variable aperture.

A common feature of all, all of the listed lenses, except for the “pancake”, is that they have an electronic aperture ring with a small switch. In position “A”, the aperture is set automatically by the camera, and in the opposite position, indicated by the aperture icon, this aperture must be selected manually by rotating the ring. This technique, by the way, fits perfectly with the “analog” control concept of the X-T1 camera.

In fairness, we recall that the brand line also includes two particularly compact budget zoom lenses of the XC series, a standard and telephoto. They were designed for the lighter, more compact "X" series cameras and do not have an aperture ring. Of course, you can also use them on the new camera (the aperture will be selected by one of the “twists”), but this optics, to be honest, seems to us not serious enough for the X-T1.

ISO

As we have repeatedly noted, all cameras of the Fujifilm "X" series demonstrate excellent performance when shooting at high ISO values. Of course, the new camera is no exception. The standard range of values, conveniently selected by the dial on the top panel, extends from 200 to 6400 ISO. There is also one low value (100) and three high values: 12800, 25600 and 51200 ISO, but in this case shooting is only possible in JPEG.

It is this scene that we decided to use to test the operation of the camera at different sensitivities.

It should be said that the designers have not yet learned how to deceive physics, and general rule- the lower the sensitivity, the higher the quality - this is also true for the X-T1 camera. However, adjusted for excellent mathematics and an excellent matrix. Up to ISO 1600, noise that builds up primarily in the shadows is quite acceptable, and if you plan on shooting in RAW and post-processing RAW files, you won't have any noticeable problems. In many cases, even 3200 ISO can be considered quite a working value, especially if you intend to use a small image, and not a full 16-megapixel image. And only at 6400 ISO high sensitivity artifacts become quite noticeable in the shadows, reduce the clarity and color reproduction of details. Although not to a critical level, which you can see for yourself in our test image.

When you click on the picture in a new window, an assembly of identical fragments of an image taken with a Fujifilm X-T1 camera at all basic ISO values ​​will open.

And only when switching to ultra-high values, the image begins to seriously suffer from digital “sand”, which already falls asleep in the bright areas of the picture. However, in any case, such ISO values ​​are used by photographers as a kind of foul of the last hope, when the task is to take at least some kind of picture more important task get a high quality image.

Shooting practice

First of all, I want to say good words about the viewfinder. It may well be called exemplary for a 2014 digital camera. And it's not just a large and visual picture (2.36 megapixels resolution!), Which you see in it in the "full-frame" mode.

The image delay time in it is only 0.005 s according to the manufacturer, and the refresh rate has been increased to 54 frames / s. We didn't take our own measurements, content with the feeling that this delay is practically non-existent, and the image does not seem to flicker or jump.

The viewfinder display has several modes of operation. In FULL mode, the picture is displayed at maximum magnification and occupies the entire viewfinder field. In the "normal" mode, the image is slightly reduced, but the shooting parameters displayed are more visible. The most interesting mode is "DUAL": in this mode, the image in the viewfinder is divided into two zones. One shows the whole frame, and the other shows an enlarged fragment of the image for manual focusing, to which two special functions are provided: focus peaking (Focus Peak Highlight) and even a digital wedge (Digital Split Image - a digital analogue of Doden's wedges on the focusing screen of a non-autofocus SLR) . When shooting in portrait mode in full and normal modes, the image and information display also take on a vertical orientation.

I will dwell on the manual focus assistance modes in more detail. In the "focus peaking" mode, sharp edges and borders are highlighted with brightness, and the color of the selection can be selected. It can be white, red or blue (you can choose two shades for red and blue).

The image on the screen in Live View mode; on the left - autofocus, on the right - red "focus peaking".

The second mode is digital wedges. It has not yet been brought to the ideal, but someone may well like it. The maximally unsharp image in the central “wedged” zone is as similar as possible to the image of noise on a TV set that is not tuned to the TV transmitter signal. As it approaches the exact focus, the image acquires the features of this very wedging in four lanes, and at the moment of precise focus, the sharpest picture in all four lanes merges into a single whole. In general, it should be recognized that the Doden wedges on the focusing screens of good film DSLRs worked more clearly, but here, given the ability to enlarge the central zone to the entire field (viewfinder or screen) and the presence of a distance scale in the field of view, along which the indicator moves along with the rotation of the focusing ring distance, manual focus is also not challenging task. As they say, for an amateur.

Screen image in wedge mode (normal mode and full screen zoom); left - maximum defocus, right - fine focus.

In general, I must say that in this camera the electronic viewfinder won a complete and unconditional victory over an arbitrarily high-quality optical one. He had only one minus (more on this in the "Disadvantages" chapter).

The autofocus system uses phase shift detection and is remarkably fast; according to the manufacturer, its response time is 0.08 s, and we agree with this figure. At the same time, it works perfectly in high-speed continuous shooting mode, providing up to eight sharp frames per second. In general, all camera systems are distinguished by enviable nimbleness. Especially if you use the latest SDHC UHS II memory cards as a storage medium. The length of the maximum series of RAW-frames at a low speed of continuous shooting reaches 100 (one hundred) "shots", and at a high speed - twenty-three. At the same time, the filled buffer is emptied in just 9 seconds (with less modern cards, this time can be 15 seconds or more). By the way, when it comes to the maximum burst length, the number of frames that the camera can capture at the declared speed is indicated. However, shooting does not stop, only its regular speed drops, since the next frames are taken as space is freed in the buffer memory

In the hands of the camera sits perfectly. It seems that the handle is not very large, but in combination with a very ergonomic influx under the thumb of the right hand, it provides a secure hold with one hand, even if a relatively large telephoto zoom is installed on the camera. This, by the way, distinguishes the X-T1 model from the more compact and lighter cameras in the series. At the same time, ergonomics can be further improved by screwing the bracket with the MHG-XT handgrip to the tripod nut (its definite plus is that it does not block access to the battery compartment) or by acting in a completely professional way: by placing the VG-XT1 vertical handgrip on the camera, which is also a battery pack.

The "analogue" concept of controlling the main parameters is quite convenient. In this case, the photographer is not obliged to obey the need, for example, to set only shutter speeds fixed on the disk; the front “twist” dial allows you not only to switch shutter speeds in 1/3 steps, but also to select slow shutter speeds when the shutter speed dial is in the “T” position.

The VIEWMODE button on the side of the "prism housing" controls the type of sighting. With it, you can force the camera to switch from the screen to the viewfinder (usually this is done by a sensor that automatically turns off the screen and turns on the viewfinder when the camera approaches the eye). Or you can set the "viewfinder with sensor" mode; then the camera will not turn on Live View on the screen when you remove the camera from your eye; instead, the sensor will simply turn off the viewfinder to save power.

For greater ease of use, you can customize the functionality of as many as six buttons to your liking. One of them is in front, it is convenient to press it with the middle finger of the right hand. The second is located between the shutter speed dial and the exposure compensation dial. The functionality of all four buttons, which form a kind of joypad, is also configured. By the way, they do not even have any additional designations. These buttons can be assigned functions such as aperture repeater, macro mode, image quality or size, dynamic range, film simulation, focus area, and about the same number of other options. Moreover, for example, if the same function for selecting the focus area is assigned to all four buttons of the jopad, the joypad will become handy tool to move the active zone across the frame field at any time, without the need to enter a special zone selection mode. In addition, you can mutually switch the functions of the front and rear “twist” discs.

The camera supports remote control from smartphones and tablets thanks to its wireless connectivity and the free Fujifilm Camera Remote app. From a portable gadget, you can select the desired film simulation mode, control autofocus, white balance, flash, shutter release and other functions. Wi-Fi support also provides the ability to back up data to a laptop computer.

The camera does not have a built-in flash, but the kit includes a miniature external flash EF-X8, which is installed in the shoe and supports all modern flash functions. Given that the shoe is mounted on top of the prism pseudo-casing, and the flash itself in the working position is additionally raised, the lens mounted on the camera does not block the light of the flash even at minimum shooting distances. At the same time, on the front panel of the camera there is also a conventional PC-sync contact, with which the camera can be docked with studio impulse devices.

Of the interesting features, it is worth noting the presence of a built-in timer for time-lapse shooting. You can select the interval between frames from one second to 24 hours and set the delay before the program starts from one minute and also up to a day. The only thing missing is a special program for automatically merging individual frames into a single video film, but it’s not bad even without it.

Flaws

During the first week of vigorous use, some shortcomings, of course, surfaced. I hope you understand at the same time that there are no cameras without flaws, especially if they end up in the hands of professional critics-specialists 🙂

I note a feature traditional for Fujifilm X cameras: the exposure compensation input dial located on the top panel on the right is not fixed in any way, even if only in the zero position. If you pull the camera out of the case to take a snapshot, it is possible that you accidentally move this disk, and you will not immediately notice the corresponding indication. If you have experience with X-series cameras, this will not come as a surprise to you. True, here, more effort is required to rotate this dial than on other cameras in the series, precisely to prevent accidental switching. However, because of this, not every user will be able to turn it with one movement of the right thumb without lifting the camera from the viewfinder; most likely, you will have to use two fingers.

The situation with the exposure compensation dial seems all the more strange because we have two whole dials next to each other, on which the task of fixing the value is solved in different ways: all values ​​​​are fixed on the ISO dial, and only the “A” position on the shutter speed dial; to unlock in all cases, you need to press the central button. It is not clear what prevents doing the same for exposure compensation.

I would like to give more travel or more precise operation to the buttons that form the joypad. They are made almost flush with the body and have a soft short stroke. Apparently, this was done to simplify moisture protection and prevent accidental clicks. However, when you need to quickly switch the focus area, you will not be able to do it as clearly and clearly as on other models. I believe that in the cold with gloves on, the problem will worsen.

Some disadvantage is that the start of time-lapse shooting is not with the shutter button, but with the “OK” button. The fact is that when you press this button, even a camera mounted on a good tripod will surely move. This can be avoided by setting a response delay - but such a delay cannot be less than one minute. We hope that in the next firmware version of the camera this situation will be optimized either by moving the shutter to a traditional shutter button, or by providing the ability to make a normal pre-shoot delay (about two seconds).

A weak point was also discovered during studio tests. When you set the white balance to studio flash light, the image on the screen or viewfinder instantly turns yellow due to the difference in temperature between the target light and the target light. Since the camera is positioned as a professional one and even has a simple sync contact, I would like to have an appropriate flash mode with color correction (which, obviously, is easily implemented in software and can be added when updating the firmware).

Another niggle is the inability to use the classic mechanical cable release to release the shutter; For some reason, the thread from the release button disappeared.

At the same time, let me remind you that at the time of "delivery for publication" of this article, the testing of the camera continues, and it has moved from prosperous Moscow to very extreme conditions. Perhaps this section will be further expanded 🙂

Shooting quality and test photos

The quality of shooting is the main criterion by which we judge the camera. Here we did not expect any special miracles; image quality was supposed to be at the level of the X-E2 (and, to be formalistic, the X100S). In general, this is how it turned out. And that's good, because the output is accurate exposure, well-chosen white balance, and excellent color reproduction, perhaps corrected for your favorite Fujifilm film. And if you are already using one of Fujifilm's non-DSLRs, the quality and image processing techniques will be quite familiar to you.

The X-T1 shoots, let's not be afraid of the word, excellent JPEGs, but high art, as you know, requires RAWs. There are no problems with them: the latest versions of Adobe Camera RAW and Lightroom don't just support them; they support the main branded "chip", that is, stylization for film (confirming screenshot on the right). For a professional, the need to shoot RAW + JPEG may not arise at all, because the software will allow you to do everything you need. Moreover, the quality of the pictures after such processing is even better than that of the “camera” JPEGs. But if you suddenly need JPEG urgently - the camera retains the proprietary feature of all other cameras in the series, that is, the built-in RAW converter.

As a material confirmation of all of the above, we publish footage shot by a new camera especially for our magazine by Eduard Kraft, Sergey Romanov, Lena Volkova and Vladimir Morozov. All published images are shot in RAW and processed by Adobe Camera RAW in automatic mode, which does its job perfectly.

So take a look at our gallery.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/180s, f/16, 200 ISO. Studio flash light.
Imitation of Provia film. Viewing the full-size image, you can see the high detail of the camera even with a standard zoom lens and appreciate the excellent colors of Provia. © Vladimir Morozov.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/30s, f/4, 1600 ISO. Handheld shooting.
Macro photography. Handheld shooting in macro mode at slow shutter speeds and high ISO. Conclusion: 1600 ISO - quite a working value (the noise in the shadows is more like film grain than digital noise), the included stabilizer worked for 5 points.

XF18-55mm f/2.8-4 R LM OIS; f.r. 27.7 (42) mm; 1/500s, f/8, 200 ISO.
Shooting against the sun. The picture clearly shows that the camera is not prone to optical aberrations.

XF18-55mm f/2.8-4 R LM OIS; f.r. 18 (27) mm; 3.5 s, f/2.8, 200 ISO.
The camera measured the exposure superbly with a 10-stop ND filter and worked out a slow shutter speed of 3.5 seconds. © Eduard Kraft.

XF55-200mm f/3.5-5.6 R LM OIS; f.r. 122 (183) mm; 1/350s, f/11, 200 ISO.
University. The setting sun, enhanced by the imitation of Velvia film. © Vladimir Morozov.

XF55-200mm f/3.5-5.6 R LM OIS; f.r. 67 (101) mm; 1/100s, f/11, 200 ISO.
The photo illustrates well the wide dynamic range of the camera and the very correct auto white balance. © Eduard Kraft.

XF55-200mm f/3.5-5.6 R LM OIS; f.r. 200 (300) mm; 1/80s, f/5.6, 200 ISO.
The photo was taken from a low point on outstretched arms using a tilting camera monitor. In equivalent, the focal length of the lens was 300 mm, and the shutter speed was 1/80 s - praise to the built-in stabilizer. © Vladimir Morozov.

XF18-55mm f/2.8-4 R LM OIS; f.r. 50.5 (76) mm; 6 sec, f/10, 200 ISO.
Photographer Eduard Kraft.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 2 s, f/10, 200 ISO.
Shot on a tripod in long exposure mode, colors enhanced with Velvia film simulation. © Eduard Kraft.

XF18-55mm f/2.8-4 R LM OIS; f.r. 20.5 (31) mm; 4 sec, f/11, 200 ISO.
Shot on a tripod in long exposure mode, colors enhanced with Velvia film simulation. © Eduard Kraft.

Portrait. The camera is quite convenient to shoot in a studio with pulsed light, for this, in the "screen settings" menu, you need to turn off the exposure display mode. © Lena Volkova.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/180s, f/8, 200 ISO.
Fashion. Convert to b/w using the camera's built-in converter. © Lena Volkova.

XF18-55mm f/2.8-4 R LM OIS; f.r. 55 (84) mm; 1/180s, f/5.6, 400 ISO.
Genre. Shooting in the studio with constant light Dedolight. B/W conversion with Adobe Camera Raw. © Sergei Romanov.

From this link you can download all the proposed test images in full resolution in JPEG format, as we received them after processing in Camera RAW. If you want, you can practice with RAW files yourself: to do this, download the RAWs by clicking on this link (attention, traffic!).

In order to be able to fully process the pictures taken by the X-T1 (as well as other latest innovations from Canon, Hasselblad, Nikon, Samsung, Sony, etc.), you will have to download the "release candidates" from the suggested links (workable and tested versions, while not passed mass testing by users) versions software for Adobe CS6 or CC software packages:

Final Conclusions

Summing up the above, we must honestly say that the new camera definitely and rightfully occupies the position of the top model in the Fujifilm X family of cameras. In general, the X-T1 camera is quite consistent with the requirements usually placed on professional cameras. It is designed to be strong, reliable and very fast. And its electronic viewfinder, obviously, will become a “reference point” for some time, it is with it that the EVI of other cameras will now be compared for compliance with international standards and the latest technology.

In addition, a noticeable retro-oriented design should be noted. As already noted, the camera is somewhere in the middle between the Olympus OM-D E-M1 cameras (a top non-DSLR of the micro-4/3 system with a “mirror” form factor and a professional functional set) and Nikon Df (a top DSLR with “ traditional" interface concept).

Without a doubt, the X-T1 camera will compete not only with non-mirror system cameras, but also with real DSLRs, and not only with the already named Nikon Df model, but also with quite mass models of the middle and “upper-middle” level, like Canon EOS 70D and analogues of other brands.

While the article was being prepared for publication, the X-T1 camera has already gone on sale in the first shops. Its price so far practically corresponds to the previously announced recommended prices: 54,999 rubles. for the body and 69 999 rubles. per set with XF18-55mm f/2.8-4 R LM OIS standard zoom lens. It is not cheap, but given the professional high performance and functionality the price doesn't seem too high. However, this is clearly not a camera for everyone; before investing in its acquisition, at least make sure that it lies comfortably in your hands. And if the first impression is positive, chances are you will love this camera and it will be able to reward you with great photos.

Many people buy Fujifilm's X-series mirrorless cameras for more than just nostalgia. The manufacturer has established itself very well in the system camera market with excellent cameras that have won numerous awards and been praised by top reviewers.

The Fujifilm X-T1 received a gold award from dpreview.com and TIPA Awards in 2014. This camera is equipped with a very wide arsenal of advanced features that puts it in an advantageous position compared to other DSLRs and mirrorless cameras in its price category.

The Fujifilm X-T1 offers features that will delight many photographers. Below we take a closer look at this camera and compare it with the X-E2 and Olympus OM-D E-M1.

Fujifilm X-T1

The X-T1 is the most expensive mirrorless camera in Fujifilm's X-series (excluding fixed-lens cameras like the X100S), costing about $300 more than the X-Pro 1. But the price tag is justified by the performance.

The Fujifilm X-T1 is built to the highest standards. The camera is distinguished by exceptional build quality, a magnesium alloy body, protection against moisture, dust and low temperatures down to -10 ° C. It adequately competes with the E-M1 and X-T1 models.

The X-T1 has a classic retro look and is equipped with a host of analog controls. Three dials are located on the top panel: for exposure compensation, for shutter speed and ISO sensitivity. There are six programmable function keys, a metering mode dial below the shutter speed dial, and exposure lock and autofocus (AE-L/AF-L) buttons.

Fujifilm X-T1 top view

Physical controls offer quick access to popular settings, even when the camera is off.

Of course, the X-T1 was built for the serious photographer who recognizes the usefulness of having a variety of buttons and dials to quickly operate the camera, which is important for capturing a good shot.

The X-T1 is very compact. It's larger than the X-E1, but noticeably smaller and thinner than an entry-level DSLR like the Nikon D3300. The developers have provided good spacing in the layout of the controls, so the thumb rests comfortably, but the camera lacks grip, as on the E-M1. However, users can purchase Fujifilm's MHG-Xt (Large and Small) Vertical Battery Grip for the X-T1, which provides a comfortable grip and stabilizes shooting, duplicates camera controls, and has the same weather protection as the body. cameras.

On the back of the camera, you'll find a relatively very large (0.77x) and bright "multi-mode electronic viewfinder" with a display latency of 0.005 seconds (the fastest in the world according to the Fujifilm website). Its resolution is 2360k dots, uses an OLED panel and offers 100% coverage. The manufacturer has also redesigned the viewfinder user interface to improve shooting quality. Thus, you get an almost real-time display of the scene with gorgeous vibrant colors, which is especially valuable for advanced photographers.

At the heart of the X-T1 is a large 16-megapixel APS-C format X-Trans CMOS II sensor. This sensor uses Fujifilm's proven innovative color filters that improve image quality by reducing moiré and color aberrations. With it, the need for an optical low-pass filter is virtually eliminated, which allows the camera to capture images with increased detail.

The X-T1 also uses Lens Modulation Optimizer technology, which is applicable to every XF lens. Using data from the lens, sensor and image, the camera takes care of obtaining the highest image quality for a particular frame with specific lens and camera settings. In the end, you will end up with a frame that has less optical aberrations and retains more detail.

Other features include: 3-inch tilting 1040k-dot LCD, 8fps continuous shooting, remote shooting via dedicated smartphone app and X-T1 built-in Wi-Fi, Full HD 1080p60 video recording, AF speed 0.08 sec, maximum ISO 51200, EXR II processor (0.5 sec startup time, 0.5 sec shooting interval, 0.05 sec shutter delay), single shooting function (timer with interval from 1 sec to 24 hours and up to 999 frames), film simulation function, auto bracketing for white balance, HDR, film simulation, AE and ISO.

Among the main advantages of this mirrorless camera, of course, is the possibility of using high-quality interchangeable lenses from Fujifilm. Although they are quite expensive, for example, the XF 18mm f/2.0 lens costs about $500, the 35mm f/1.4 sells for $600, the 55-200mm f/3.5-4.8 XF will cost about $700. Even 18 -55mm at f/2.8-4 costs around $700. This fact should be considered before buying a camera.

Many people like the X-T1's analog control, which allows you to change settings even when the camera isn't on. This way you can quickly prepare the camera for the next shot.

The X-T1 is quite expensive, but advanced photographers will appreciate its extra features. It looks like a decent replacement for a DSLR, though we haven't compared it to the flagship E-M1 yet.

Fujifilm X-E2

The Fujifilm X-E2 mirrorless camera was released on October 18, 2013. It's priced lower than the X-T1, but it's packed with a wide range of extras that will satisfy the needs of many enthusiastic photographers. The X-E2, like the X-T1, received positive reviews from many reviewers who praised it highly.

Design X-E2 is made in a classic style. The body is made of plastic, the top and base plates are cast magnesium alloy, the finish is textured leatherette, the discs on the top panel are made of metal. All this gives the X-E2 a unique retro style that many photographers love.

Unlike the X-T1, which is full of buttons and dials, the X-E2 has fewer physical controls. However, there is a shutter speed dial and an exposure compensation dial, as well as four customizable function buttons.

The camera was equipped with an X-Trans CMOS II sensor and an EXR II processor. The sensor's unique color array eliminates the need for an anti-aliasing filter to achieve greater image detail and resolution. The X-E2 uses the same Lens Modulation Optimizer technology as the X-T1 for further optimization depending on the type of lens used and its settings.

On the back, you'll find a 2360K-dot OLED electronic viewfinder with a 0.005 second playback delay. It provides an excellent clear view of the scene without distortion. It makes it easier to frame both day and night. Unlike the X-T1, where the viewfinder is centrally located and has a large bulge at the top of the camera, the X-E2 has it on the left side and does not affect the size of the body. This viewfinder provides a wide 24-degree horizontal field of view and a flexible diopter adjustment range of -4m-1 to +2m-1.

The X-E2 also features a 0.08 second hybrid autofocus system. (as in X-T1) with phase detection pixels embedded in the matrix, which allows the camera to use both types of autofocus. The camera can even automatically switch between them depending on the scene being shot.

Video from Digital Camera World.

X-E2 start time is the same 0.5 sec., shooting interval 0.5 sec. and 0.05 sec shutter lag, same as the X-T1. Other features: 7 fps continuous shooting, Motion Panorama, in-camera RAW converter, Multiple Exposure mode, auto bracketing mode (for exposure, film simulation, HDR, ISO), wireless file transfer with built-in Wi-Fi ( you can send up to 30 photos at a time), auto geotagging of images by extracting location data from a smartphone with "Fujifilm Camera Application" installed. The X-E2 also features a Film Simulation mode, Full HD 108p60/30 video recording, and a mic input for connecting an external stereo microphone to improve sound quality.

The Fujifilm X-E2 has been designed to appeal to a wide audience of enthusiastic photographers who appreciate and use the camera's advanced features and versatility. Although some will be more interested affordable option in the form of the Fujifilm X-A1 camera, which is much cheaper and lacks an optical viewfinder, but offers many features and manual controls. It has high ISO performance and excellent image quality in its class. And the saved budget can be invested in an additional lens.

Olympus OM-D E-M1

OM-D E-M1 is Olympus' flagship mirrorless camera in the Micro 4:3 series (Micro Four Thirds System - MFT standard). It has been developed with a full range of advanced technologies to give photographers maximum creative freedom.

The Olympus E-5 is a professional digital SLR camera released back in September 2010. Two years earlier, this manufacturer launched its Micro Four Thirds system with Panasonic. Since then, Olympus has focused all its efforts and resources on improving the MFT series, shrinking the DSLR market in favor of mirrorless cameras. The absence of a reflective mirror allowed the production of a smaller and thinner camera body and smaller lenses, which contributed to the popularity of new products among amateur photographers.

Concentrating all resources on development mirrorless cameras with interchangeable lenses, Olympus has set out to create a new versatile flagship model that will appeal to professional photographers.

Size comparison of Olympus E-5 and E-M1

If you compare the E-5 and E-M1, you will immediately understand what makes the MFT system so unique and visually appealing. Of course, some photographers prefer to shoot with a reliable, large and ergonomic DSLR. Especially for this category of users, it is possible to attach the HLD-7 battery grip to the E-M1.

Build quality

The OM-D E-M1 housing is made of magnesium alloy with protection against dust, splashes and low temperatures down to -10 ° C, plus an ultrasonic wave filter SSWF (Super Sonic Wave Filter) to protect the sensor from dust and other unwanted ingress. Thus, the camera is designed for reliable and safe outdoor photography.

You will be convinced of the reliability of the weather seal by watching the video below, immediately go to 5 minutes. 20 sec.:

As you can see, it is not afraid of heavy rain, but this camera is still not waterproof, so do not use the OM-D E-M1 underwater.

System developers Olympus camera The OM-D E-M1 has made sure to include all the necessary keys to provide quick access to frequently used camera settings, so there is no need to configure them via the LCD.

Dual AF System

The E-M1 features a new 16-megapixel Live MOS sensor and a dual autofocus system ("Dual fast AF") that takes advantage of contrast and phase focusing when using Micro Four Thirds lenses. When you attach Four Thirds lenses via an adapter, the camera detects them automatically and only switches to phase detection autofocus.

The autofocus system in the E-M1 uses 81 contrast AF points and 37 phase AF points to ensure fast, precise focusing, which is especially appreciated by professional photographers. The OM-D E-M1 also features a variety of autofocus modes, including face detection and eye detection, Super Spot AF which is great for macro photography, and Small AF which reduces the size of the AF target for more precise focusing.

Advanced electronic viewfinder

On the back, you'll find a large 0.74x (35mm equiv.) electronic viewfinder with 2,360,000 dots and 0.029 sec time lag, which uses Olympus Adaptive Brightness technology for brighter, more realistic colors. The viewing experience is almost the same as with an optical viewfinder. Another one interesting feature this is the Color Creator feature that allows you to use the two dials on top of the camera to change the hue and saturation of an image. Moreover, changes can be made while viewing through the electronic viewfinder.

5-axis in-body image stabilization

This is one of the most useful features. The E-M1 comes with a proven 5-axis optical image stabilization built into the body. It copes with motion blur by compensating for 5-axis camera movement, including wobble, tilt, horizontal shift, vertical shift, and rotation around the optical axis. Stabilization is provided by 4 steps of compensation, which means that if you shoot a photo with a shutter speed of 1/250 sec. to get a sharp image, you can set the shutter speed for the same scene to 1/15 sec. and still get a sharp image.

Video: Steve Huff

The Olympus OM-D E-M1 has received many prestigious awards and very high marks from leading reviewers. It was created for serious photographers, but hardly for videographers. Highlights include a robust, durable body, high autofocus performance, attractive retro design, superb image quality, a large, bright viewfinder, and many built-in customization options.

As of this writing, the OM-D E-M1 is priced around $1,300 for the body alone, about the same price as the X-T1 (body only), so many photographers vacillate between the two models. On the one hand, we have Olympus' flagship in the Micro Four Thirds series and plenty of lenses to choose from. On the other hand, the X-T1 is a premium camera that comes with a unique Fujifilm sensor, a wide range of controls, attractive specifications, and compatibility with a fleet of high-quality X-mount lenses.

Comparison table with the characteristics of cameras Fujifilm X-T1, Fujifilm X-E2 and Olympus OM-D E-M1

	Fujifilm X-T1	Fujifilm X-E2	Olympus OM-D E-M1
Release date	January 28, 2014	October 18, 2013	September 10, 2013
Housing material	magnesium alloy, aluminum	high quality plastic, magnesium alloy top and bottom plates, metal discs	magnesium alloy
weather seal		no weather seal	protection against dust, splashes and low temperatures down to -10ºС
Sensor	16.3 MP APS-C (23.6x15.6mm) X-Trans CMOS II without low pass filter	16.3 MP APS-C (23.6x15.6mm) X-Trans CMOS II ultrasonic vibration to remove dust without low pass filter	16.3 MP Micro Four Thirds (17.3x13.0mm) ultrasonic wave filter (SSWF) without low pass filter
Autofocus system	Hybrid Intelligent AF (49-point contrast, 9-point phase detection)	Hybrid Intelligent AF (49-point contrast, 9-point phase detection)	fast dual autofocus (81-point contrast, 37-point phase detection) with Micro Four Thirds lenses - hybrid focus with Four Thirds lenses - only phase
CPU	EXR II	EXR II	TruePic VII
ISO range	200 - 6400 (RAW) 100 - 51200 (JPEG)	200 - 6400	100 - 25600
Built-in Image Stabilizer	No	No	5-axis optical image stabilization in the body
RAW	yes (14 bit)	yes (14 bit)	yes (14 bit)
AF illuminator	there is	there is	there is
LCD screen	3-inch 1040K dot tilted (90º up, 45º down) not touch	3-inch 1040k-dot fixed not touch	3 inch with 1037k dots points, inclined (80º up, 50º down) sensory
Viewfinder	electronic, 2.36 million pixels, 100% coverage, magnification, 0.77x	electronic, 2.36 million pixels, 100% coverage, magnification 0.60x-064x	electronic, 2.36 million pixels, 100% coverage, magnification 0.74x
Shutter speed	30-1/4000 sec.	30-1/4000 sec.	60-1/8000 sec.
Built-in flash	no (miniature external flash included)	there is	no (small external flash included)
Connecting an external flash	through the hot shoe	through the hot shoe	through the hot shoe
Flash sync speed	1/180 sec.	1/180 sec.	1/320 sec.
Continuous Shooting Speed	8 fps	7 fps	10 fps (C-AF+Tr)
Exposure compensation	±3 frames (in 1/3EV increments)	±3 frames (in 1/3EV increments)	±5 frames (in steps of 1/3EV, 1/2EV, 1EV)
Exposure bracketing	±1/3EV, ±2/3EV, ±1EV	±1/3EV, ±2/3EV, ±1EV	±2 (2, 3, 5, 7 frames in steps of 1/3EV, 2/3EV, 1EV)
White balance bracketing	there is	No	there is
Film Simulation Bracketing	there is	there is	No
HDR bracketing	there is	there is	there is
ISO bracketing	there is	there is	there is
Flash bracketing	No	No	there is
Creative filter bracketing	No	No	there is
Video recording (maximum resolution)	1080p60 (progressive) up to 14 minutes stereo microphone	1080p60 (progressive) up to 14 minutes stereo microphone	up to 29 minutes stereo microphone wind noise reduction
Microphone input	there is	there is	there is
Headphone port	No	No	No
Wireless communication	built-in WiFi	built-in WiFi	built-in WiFi
Battery Endurance (CIPA)	350 shots	350 shots	350 shots
Dimensions	129 x 90 x 47mm	129 x 35 x 77mm	130 x 94 x 63 mm
The weight	440 g	350 g	497 g

ISO performance comparison

The analysis is based on the study of image samples from the resource.

When comparing the X-T1 and X-E2, the ISO performance is excellent. Surprisingly clean images at ISO 3200. However, the X-E2 produces slightly cleaner pictures overall. Thus, the difference is noticeable, but only when viewing the image at a scale of 100%, otherwise it is difficult to see it. This does not mean that the X-T1 has poor performance. Both cameras performed very well with slight advantage in favor of X-E2.

When comparing the X-E2 and the OM-D E-M1, we see that the E-M1 produces more natural colors, but the pictures are slightly noisier when moving up to ISO 3200 and above. The OM-D E-M1, with its smaller Micro Four Thirds sensor, just can't keep up with the X-E2. However, you will be surprised how high the performance of this MFT sensor is.

The leader is the X-E2 with the best high ISO performance.

Examples of videos shot with three cameras

Video shot with Fujifilm X-T1 by DPReview:

Video shot with Fujifilm X-E2 by DPReview:

Video shot with Olympus OM-D E-M1 from imagingresource:

conclusions

It's not an easy choice. Every camera has strengths and weaknesses.

The X-T1 is mostly criticized for the size of the buttons and their placement, weak video mode with relatively lagging image quality. But this camera boasts superb build quality and a weather seal, excellent viewfinder, very good quality images and high ISO performance, fast and accurate autofocus, quiet operation, high speed continuous shooting, built-in Wi-Fi and compatibility with a wide range of high-quality lenses.

The differences between the X-E2 and X-T1 are quite obvious: no weather seal, worse build quality, fixed LCD, smaller viewfinder, slower burst speed and no UHS-II support. On the other hand, the X-E2 is smaller and lighter, has a pop-up flash, excellent ISO performance, and is cheaper. For many users, the X-E2 might be the perfect mirrorless camera at around $940 compared to $1300. for X-T1.

Differences between Olympus OM-D E-M1 and X-T1: The E-M1 features a higher resolution LCD touch screen, faster maximum shutter speed, faster burst speed, more AF points, built-in image stabilizer, more advanced movie recording features, faster flash sync speed and more interchangeable lenses.

On the downside, the E-M1 lags behind in the high ISO performance analysis, has a smaller and less flexible viewfinder, lacks UHS-II compatibility, and has a smaller sensor size. The cost of E-M1 and X-T1 is about the same.

Many users will be attracted to the design and build quality of the E-M1, as well as the useful 5-axis image stabilization. The fleet of optics is also much more diverse and you can find high-quality but inexpensive Micro Four Thirds lenses (X-series optics are exclusively in the expensive price range). While the X-T1 offers high image quality, a large viewfinder, unique design and many built-in features.

If your budget is tight, the X-E2 is a great choice. Alternatively, you may want to consider purchasing a second lens. Consider purchasing the more expensive Fujifilm X-T1 if funds are available.

Recently, I was tested by a camera that produced a wow effect and left a very pleasant impression. The same effect was initially caused by both tactile sensations and appearance, which were supplemented during the test by admiration for the quality of the output image.

Video review Fujifilm X-T1:

Fans of "reading diagonally" can immediately jump to the conclusions, because in terms of image quality, the cameras are identical, and the wow effect from the appearance has not gone away. But still, the cameras have certain differences, which are below ...

Generally, fujifilm one of the last among the major photo makers to jump on the already accelerating locomotive of mirrorless technology in 2012. True, over the next 3 years, the company managed to introduce a fairly wide range of cameras, but, most valuable, an even wider range of optics. This is more than the right approach, which deserves respect and says that the developer does not just provide the product “because it is necessary” or because he probes the market, but really develops his technique and gives you and me a wide selection of necessary tools for any pocket and for any task. Moreover, with a line of "mirrorless" optics fujifilm, now only optics for systems can compete Micro 4/3 and Sony E.

The special charm of all mirrorless cameras from fujifilm since their announcement, there has been a retro style (now, not least due to their efforts, this is no longer a rarity) and stylization of cameras “for rangefinders”. X-T1 is the first camera fujifilm, made in the format of a pseudo-mirror.

I must say that she looks just gorgeous. The camera is heavy, and thanks to the protruding battery handle, it sits very well in the hand. The case is monolithic, nothing backlash and does not creak. Except that the plastic doors that cover the connectors and the card slot are somewhat disharmonious, but only tactilely. Outwardly, everything is impeccable.

The camera does not have a built-in flash; instead, it comes with a small foldable external one that is worn on a hot shoe. Unfortunately, it was not provided for the test - so I can’t say anything about its work.

Again, this is the first waterproof and frost-resistant camera capable of operating normally at temperatures down to -10. And for the test, along with her, fujifilm provided one (there are four in total) of their top waterproof lenses - FUJINON XF50-140mm F2.8 R LM OIS WR.

A distinctive feature of all cameras in the series X is a large number of mechanical controls. In case of X-T1, their concentration has reached its climax :) The whole camera is literally littered with wheels, buttons and controls. It makes no sense to describe the functional purpose of each element, so I will briefly dwell only on the features.

Traditionally, there is a change wheel, but in addition to it, a value adjustment wheel has also been added. Both have a lock button to prevent accidental shifting. Moreover, the shutter speed wheel is blocked only in the mode BUT, in the rest it rotates freely. The decision is reasonable, since if all provisions were blocked, it would be inconvenient to use it.

At the same time, the exposure compensation adjustment wheel is not equipped with a lock button. And if in case X-E2, it was recessed into the case so that you couldn’t accidentally catch it, then here I repeatedly, quickly taking the camera out of the wardrobe trunk, moved it. And only when I saw in the viewfinder that “something was not right”, I noticed that the exposure was corrected ... in general, you can lose a couple of seconds, and with them a good shot.

Super convenient solution that was missing E-X2, this is the presence of a mechanical wheel DRIVE(remember, in X-E2 it's a button). On the DRIVE-e all shooting modes - from serial and bracketing to multiple exposure and creating a panorama. The wheel itself is under the regulator ISO.

I was also pleased with the presence of a mechanical setting of the metering mode (a wheel under the shutter speed dial). This is also very convenient, as it is always in sight and you can instantly switch to compare estimates.

It is clear that you can do without all this "mechanics" by organizing all control through the software menu with information displayed on the screen. And okay, if there is at least an additional information screen (as on “non-budget” DSLRs) on which the main parameters are displayed and always visible, because the main display (in my case, at least) is always given to display a real picture, and also often just turned off to save battery. But once you have tried the analog “Fujiv” control, you begin to catch yourself thinking that “something is wrong” with the rest of the cameras and their control is somehow inconvenient.

There was a separate help key in manual focus - Focus Assist. The bottom line is that the camera zooms in on part of the image area around the focus point, so you can see if we are in “focus”. The idea itself is wonderful, but I regularly hit it with my thumb. After, button Focus Assist you need to press again to return everything “as it was” ... again, the loss of precious seconds, and with them the nerve cells.

And the most "ambush" is that this is one of the very few buttons that cannot be reassigned. Despite the fact that the camera has six programmable buttons. These are all four joystick buttons, one on the front of the case and one on the top.

Generally, at fujifilm, just some kind of craving to make certain function buttons immutable (with a controversial function assignment) and then look at the surprised reaction of users from such “know-how”. (U X-E2 the up button of the 4-way joystick is responsible for turning on the mode MACRO, it is also not programmable - a strange and illogical solution, as it seemed to me).

And a couple more moments. All keys are maximally recessed. This was apparently done for the sake of style. appearance. So the owners of large hands and not thin fingers will have to adapt for some time in order to "get" into them.

In addition, buttons Fn2(default - enable WiFi) and the video activation button were generally hard to reach for me. The manufacturer, apparently, hints that this is a camera, not a video camera, and it was not created for video :)

At X-T1 there was a synchrocontact for connecting studio light. Despite the fact that the rest of the cameras had an archaic threaded connector for connecting a mechanical remote control cable, for some reason it was removed here. This, as it were, once again draws attention to the professional orientation of the camera. But just with the studio shooting during the test, questions arose.

Unlike DSLRs, which see the real picture “as is”, there is not enough light for an electronic viewfinder with pilot lighting and what is happening can be seen much worse. This is a feature that takes some getting used to. In case of X-T1 still more interesting. The white balance “By flash” is not provided at all, and the camera understood the pilot light “in its own way”, greatly distorting the color temperature “to yellowness”. At first, it was just a stupor, and then it was not easy to get used to this “feature”.

And developers X-T1 I would like to say that if they already assume that the camera can shoot in the studio, then you need to bring “to mind” all aspects of the work, and not stop only at the sync connector for studio light.

Although the viewfinder itself is simply gorgeous. It's really huge with great detail. Among its other nice features:

• firstly, you can divide the image into 2 parts, one will display a real picture, and the second enlarged area. For manual focusing, this is very convenient;
• secondly, when you turn the camera to portrait mode, all the information also turns over - a trifle, but convenient. At least none of the competitors have this yet.

For the first time (and finally) fujifilm equipped your camera with a swivel display. It can be rotated 90 degrees when shooting "from the floor" and 45 degrees when shooting something overhead. In general, given the good detail and viewing angles, this should be more than enough for any creative ideas. The screen is not touch, but given the huge number of controls - this is not critical.

There is a chance that at least by the third generation, for the series X-T after all, the 21st century will come and we will see a touch screen from Fujifilm:)

Everything related to image quality was fully considered in the review. At X-T1 the same one as X-E2, 16 megapixel X-Trans CMOS II proprietary matrix, with sensitivity range ISO200 - ISO6400(expandable to ISO100 down to the limit ISO25600). Extended ranges do not allow shooting in RAW. By the way, this is another reason why X-T1 difficult to attribute to the professional segment.

In a nutshell - X-T1 excellent image quality and a very wide dynamic range. Open RAW-files in Adobe Lightroom and to see HOW they can be "pulled out" is a pleasure. Below is an example of processed photos for clarity (on the left - raw photos, on the right - processed).

In addition, at X-T1 the same as in X-E2, focusing system - hybrid with 49 contrast zones and auxiliary phase sensors. As assured fujifilm, X-T1 should focus even faster. In real conditions, the camera is really very fast and autofocus does not fail. Tracking autofocus modes, as well as focusing on the face, work perfectly and help a lot in certain conditions.

X-T1 is the first camera capable of working with ultra-fast new memory cards SD UHS-II. Unfortunately, so far they are presented very little, and they cost like a “wing from an airplane”, so it has not yet been possible to check whether their use gives any increase in speed.

Well, the last one - X-T1 there is WiFi with normally implemented functionality. To realize all the possibilities, you need to download and install the application on your tablet or smartphone. Fujifilm Camera Remote. With it, you can remotely control shooting, adjust some camera settings, transfer photos from the camera to a mobile device, and put down geotargeting for pictures (since the built-in GPS not in the chamber). I would say that, finally, this is an intuitive, easy-to-install, "humanly" implemented solution that is not inferior to the "leaders" of the market (primarily Panasonic Lumix), which is easy to use.

PHOTO EXAMPLES:

To complete the experience, the camera was tested in different conditions - outdoors in daylight and darkness, indoors with artificial subdued light, in the studio. Further - photos (for a more detailed study - they are clickable). We conducted the review together with the famous Kyiv photographer Andrey Koren, the owner of a wonderful photo studio Newton, for which he (and everyone who took part) - HUGE THANKS! You can watch the testing process in more detail in our video test.

CONCLUSIONS:

CAMERA PROS:

• beautiful appearance;
• monolithic moisture and frost-resistant housing made of magnesium alloy;
• huge functional viewfinder;
• rotary display;
• excellent image quality up to ISO6400;
• very wide dynamic range;
• very fast and tenacious hybrid autofocus;
• burst shooting at up to 8 fps;
• in-camera file conversion RAW in JPEG;
• the presence of auxiliary functions of manual focus - focus picking (Focus peaking) and split image ( Digital Split Image);
• the presence of functions of time-lapse photography, multiple exposure, expansion dynamic range (D range) and creating panoramas;
• the presence of scales for the distance to the object and depth of field, as well as an electronic level on the monitor;
• excellent implementation of the functionality WiFi;
• support for the latest memory cards USHII.

CONS OF THE CAMERA:

• the display is not touch;
• small memory buffer;
• video shooting is implemented “for show”;
• flaws with white balance when shooting in a studio with pilot light (nitpicking, perhaps, but since the camera is positioned as a professional one, this is a minus)
• No GPS

Fujifilm X-T1 is aimed at advanced amateurs and professional photographers, even those who plan to take pictures in extreme conditions. So you can safely take her on a hike or for a report in bad weather - she is not afraid of rain and snow (in conjunction with the same protected WR- lenses).

It is pleasant to hold it in your hands, while shooting you get aesthetic pleasure both from control and from the speed of work. The viewfinder is a separate issue altogether. In the near future, it will obviously become the starting point for comparison and tests - as a quality standard. Besides, X-T1 gives excellent image quality - highly detailed, clear, and the dynamic range of images allows you to "pull out" literally any frame. This is despite the fact that exposure metering works beyond praise even in difficult conditions, so you can shoot in JPEG, if, for example, you need to save space on the card or lower the sensitivity to ISO100.

Like Fujifilm X-E2, XT-1- this is primarily a camera in which everything (with the exception of minor flaws) is brought to perfection, and video shooting is relegated to the background. Although, looking at how quickly the company eliminates flaws and develops its technology, I think this is not for long. I really liked the camera, this is the device with which I want to shoot and experiment. And having picked up optics, not for the first time I think about whether to change the system.

Fujifilm is famous for releasing stylish advanced compact cameras such as the X100S or X-E2, but they are all completely defenseless against water drops, sand and other external troubles. Protected models from Fujifilm are available only in the class of budget compacts, as well as in the class of ultrazooms.

Fujifilm X-T1 official portrait

A quick look at the Fujifilm X-T1 specifications is enough to realize that a lot has been borrowed from the X-E2 mirrorless. At the same time, the novelty is positioned as a device of a higher class, it costs more and is able to compete even with Olympus OM-D E-M1. Last year we remember the release of budget mirrorless cameras, such as X-M1 and X-A1, and now it seems that the time has come for flagships. However, there is still no reliable information about the replacement of the X-Pro 1. Fujifilm X-T1 was not only the first weatherproof system camera in the family, but also the first camera with the appearance of a film SLR of the last century.

Specifications, equipment, accessories

	Fujifilm X-T1	Olympus OM-D E-M1
Class		interchangeable lens mirrorless camera
Matrix	X-Trans CMOS II, 16.3 MP, APS-C (23.6 x 15.6 mm)	CMOS, 16.1 MP, Micro Four Thirds (17.3 x 13mm)
Picture format	JPEG, RAW (maximum resolution 4896x3264)	JPEG, RAW (maximum resolution 4608x3456)
Video Format	H.264 (1920x1080/60p)	H.264, Motion JPEG (1920x1080/30p)
ISO range	ISO 100-51200	ISO 100-25600
Bayonet	Fujifilm X	Micro Four Thirds
Shutter speed range	1/4000-30s, X sync - 1/180s	1/8000 - 60 s, X sync - 1/320 s
Screen	LCD, tilting design, diagonal - 3”, resolution - 1,040,000 dots	LCD, touchscreen, inclined design, diagonal - 3'', resolution - 1,040,000 dots
Viewfinder	electronic, resolution - 2,360,000 dots, 100% frame coverage, magnification - 0.77x	electronic, resolution - 2,360,000 dots, 100% frame coverage, magnification 0.74x
Memory		SD/SDHC/SDXC cards (up to 64 GB)
Flash	supplied, guide number 8 at ISO 100	supplied, guide number 7.4 at ISO 100
WiFi	built-in module	built-in module
Interfaces	USB/AV, HDMI	USB/AV, HDMI
Battery	Lithium-ion, NP-W126, 1260 mAh	Lithium-ion, BLN-1, 1220 mAh
Dimensions and weight	129 x 90 x 47 mm, 440 g	130 x 94 x 63mm, 430g

Fujifilm does not have a wide selection of accessories for its cameras. It mainly offers various cases, optional grips and flashes. With the release of the X-T1, this kit has been expanded with the VG-XT1 portrait-capable battery grip, as well as another MGH-XT regular grip. This pair of accessories is only compatible with the Fujifilm X-T1. However, all subsequent cameras will certainly receive their support.

Fujifilm X-T1 Package Contents

The camera comes with a charger and an NP-W126 battery, a set of caps and plugs, a shoulder strap, an external flash, a USB cable, and a CD with software and a user manual. It's also worth noting that the Fujifilm X-T1 comes with an advanced 18-55mm F2.8-4.0 zoom lens. True, this lens is not weatherproof - this should be remembered first of all.

Design and ergonomics

It is difficult to unequivocally determine what exactly the Fujifilm X-T1 looks like. Most likely, this is a 1970 Fujica ST701 camera. However, one can also see similarities with recent Olympus cameras. For the first time, Fujifilm mirrorless has a more pronounced grip, a pseudo-pentaprism with a viewfinder unit, and an optional battery grip. In general, everything is like a classic DSLR-like camera. Cameras in this form factor have long been in the collection of Panasonic, Olympus and Samsung. Durable magnesium alloy acts as the main material of the case, and its protection against moisture and dust is provided by gaskets at 80 points. The robust housing also guarantees stable operation of the camera in ten-degree frost.

Fujifilm X-T1 paired with fast optics

The front panel, in addition to the ergonomic ledge, contains a number of important controls. At the top of the handle is the front scroller. Next to it is an autofocus backlight LED and one of six programmable keys. The mount is equipped with a latch, and on the right side of the panel you can see a sync contact plug for external flashes and a focus mode switch lever, already familiar to us from previous Fujifilm mirrorless cameras. The entire front panel, including the handle, is covered with a textured synthetic material that is pleasant to the touch. The handle itself is not particularly ergonomic, but in any case it is better than nothing. In addition, there is an optional grip and even a weighty battery grip on sale.

It should be noted that the scroller is not convex enough - the contact area with the finger is small. Therefore, when scrolling, you literally have to iron the rubber of the case. The same drawback was found in the rear scroller, but we will talk about it below.

Fujifilm X-T1 without lens

The top panel is literally cluttered with large selectors and buttons. None of Fujifilm's mirrorless cameras could boast such an abundance. The ISO setting dial is located on the left side, and the drive mode switch is built in one floor below. On the left side of the viewfinder block, a diopter correction wheel is planted, and on its top is a standard “hot shoe”. On the right side, there is a shutter speed dial similar to the left one with a metering type switch. On the right edge of the panel sits the exposure compensation dial. The shutter button is combined with the camera power lever, and to the right of it, the video recording start button is recessed into the body. Another small button next to the exposure compensation dial is responsible for activating Wi-Fi.

All selector discs are made of aluminum, and shutter speed and ISO discs are equipped with position locks. This is generally one of the most controversial elements of ergonomics. Fixing the position is useful in a number of cases, but in the end it is more difficult to control such a scroller. This inconvenience will manifest itself especially clearly when shooting in shutter priority mode. In our opinion, the best thing to do is to make the scrollers tight enough to avoid accidental shifts.

On the top panel, you can notice the absence of a dedicated shooting mode switch. In top-end Fujifilm cameras, the shooting mode is changed by setting the aperture or shutter speed to “A” mode. On the right slope of the pseudo-pentaprism is the screen / viewfinder switch button. It is possible to completely turn off the display, and turn on the viewfinder only when the proximity sensor is triggered. This will significantly save battery power, especially since the main shooting parameters can be changed by mechanics.

Fujifilm X-T1 Top Panel

On the rear panel, the first thing that catches your eye is a large viewfinder with an impressive rubber eyecup. Fujifilm claims the X-T1's viewfinder is the largest viewfinder of any mirrorless camera. According to subjective feelings, its area corresponds to the size of viewfinders in top-end full-frame cameras like Nikon D800 / D800E. To the left of it are buttons for entering playback mode and deleting images. On the right is the exposure lock button, rear control wheel, and a separate autofocus lock button. The protrusion slightly interferes with the work with the scroller, as it slightly protrudes beyond the body. This, as we have already said, forces you to stroke the case with your fingers and apply more effort to scroll. A trifle, but we hope that the company will take this moment into account when developing the next cameras.

To the right of the display are the Focus Assist, Q and Disp/Back buttons. The first one launches various manual focus assist tools, such as focus peaking. The second is responsible for calling the quick menu, and the third switches the types of information displayed on the display. The button for entering and entering the main menu of the camera is surrounded by four navigation keys without any signatures. The extreme right part of the panel is rubberized and has a noticeable protrusion at the place where the thumb fits.

The left side is occupied by a door that hides the HDMI and USB connectors, as well as a 2.5mm jack for connecting an external microphone or remote control device. The opposite side includes a slot for a memory card. Incidentally, the Fujifilm X-T1 is the first digital camera to support the latest high-speed UHS-II SD cards.

Memory slot on the right side of the Fujifilm X-T1

Compartment for external connections on the left side of the Fujifilm X-T1

On the bottom panel in the area of ​​the handle is the battery compartment, and next to it is a tripod thread. For mounting the battery handle there is a special connector closed with a rubber plug.

Fujifilm X-T1 bottom panel

The camera is available exclusively in black, at least for now. The dimensions of the camera are 129x90x47 mm and the weight is 440 grams. The nearest competitor, Olympus OM-D E-M1, has approximately the same parameters.

Display, viewfinder, interface

Back of the Fujifilm X-T1

Note that so far none of Fujifilm's high-end cameras have had a tilting screen. Only budget mirrorless cameras were equipped with such displays.

The viewfinder remained the same as that of the Fujifilm X-E2, that is, fully electronic and even retained a resolution of 2.36 million dots and 100 percent frame coverage. Most likely, Fujifilm saved their hybrid viewfinder for a higher-ranking model, which has not yet been heard from. In the menu, you can turn off both the viewfinder and the display at the same time, which is useful in astrophotography. The viewfinder is equipped with a diopter adjustment wheel and a proximity sensor. This is one of the best electronic viewfinders we have come across. In terms of image quality, it outperforms its analogue in the Olympus OM-D E-M1 and subjectively looks better than in the Sony A7/A7R. In addition, the X-T1's viewfinder has a record a high degree magnification equal to 0.77x, as well as a fairly small image delay.

The menu hasn't changed much. Were only added new items for programming keys. As already noted, six mechanical buttons are reprogrammable.

Functionality

The Fujifilm X-T1 borrows the 16-megapixel X-Trans CMOS II sensor from the Fujifilm X-E2 unchanged. The same sensor is installed in the Fujifilm X100S. His main feature, recall, is not only the absence of an AA filter, but also the support for hybrid autofocus due to phase sensors in the structure of the matrix itself. In addition, RAW files are recorded at 14-bit resolution for better halftone reproduction.

The standard ISO range is ISO 200-6400 but can be extended up to ISO 100-51200. The camera allows you to set the minimum shutter speed when working in Auto ISO mode, which is 1/500 of a second. The exposure compensation dial allows you to make adjustments ranging from -3 to +3 EV. And when shooting video, the ISO limit is 6400.

X-Trans CMOS sensor and EXR II processor

There are no changes in comparison with the X-E2 in the processor part either. The already familiar EXR II chip is installed here. The burst rate is 8 fps with active autofocus, and the buffer depth reaches 47 frames in JPEG format or 23 in RAW format when using UHS-II class memory cards. Shooting with continuous focus and active live view reduces the rate of fire to three frames per second, and the depth of the buffer in this case is limited by the volume of the memory card. The shutter lag is only five hundredths of a second, and it takes about half a second to turn the camera on and off.

One of the important features of the EXR II processor is the Lens Modulation Optimizer algorithm, which eliminates aberrations and optical diffraction effects. This is how it is implemented - the camera contains data for each compatible lens in memory and programmatically compensates for distortion taking into account such data. This function, if desired, can be turned off, and all the resulting distortions can be edited later manually in the RAW converter.

A focal-type shutter with vertical shutters is capable of operating at shutter speeds up to 1/4000 s, as well as operating in mode manual definition excerpts (Bulb). Strictly speaking, 1/4000 of a second is a fairly slow shutter speed when shooting wide open on a bright sunny day, and the camera does not include a built-in neutral density filter to reduce exposure. The shutter itself seemed noisy to us, and the electronic shutter, as in Lumix GM1, is not provided here. The shutter is synchronized with the flash at shutter speeds no shorter than 1/180 s, which is a rather modest value today. The Olympus OM-D E-M1 can sync at shutter speeds up to 1/320s.

It is impossible not to note the Fujifilm focusing system, which made a leap forward in just a year. Until recently, Fujifilm cameras were associated with extremely slow autofocus, a modest set of video modes and the lack of Wi-Fi. But with the release of the X-E2 and the budget X-M1, the situation improved dramatically. The Fujifilm X-T1 has a 49-point hybrid focus system with object tracking. Thanks to high-speed autofocus, it was possible to achieve the above rate of fire. In addition, this is one of the few cameras that offers three tools at once to help with manual focusing - focus peaking, zoom in on a fragment of the frame, and digital instrument Split Image (peeped, apparently, from rangefinder film cameras).

It is worth adding that the focusing speed is highly dependent on which lens is installed on the camera. With the complete "glass" 18-55 mm, the camera focuses very quickly and practically does not make mistakes. And when using a 35mm F1.4 lens, focusing becomes much slower. The reward for such inconvenience is excellent picture quality. This is our favorite Fujifilm camera lens, no kidding.

The Fujifilm X-T1 does not have a built-in flash for its size, but it is still included. Its guide number is 8m at ISO 100. The included flash mounts in a standard hot shoe, and there is a sync pin on the front of the camera for connecting external strobes.

For Fujifilm mirrorless cameras, the presence of in-camera RAW processing has already become the standard, from which the X-T1 has not departed. Also here in in full force functions such as panorama shooting (2160x9600), a set of ten film simulation effects, eight creative filters, ISO bracketing, white balance, dynamic range and film simulation effects, multiple exposure, and interval shooting (with burst limitation, 999 frames maximum) .

As already mentioned, Fujifilm X-T1 supports Wi-Fi thanks to the built-in module. Using a smartphone or tablet, you can control the shooting process, receive captured images, upload data to social networks and even assign geotags. The set of wireless functions here is far from the richest, but all this is implemented intuitively and simply. There are two camera apps for Android and iOS devices - Fujifilm Camera App and Fujifilm Camera Remote. The latter allows you to use your smartphone as a remote viewfinder, change settings, focus and even record video. Basically, the Fujifilm Camera Remote includes all the features of the older Fujifilm Camera App. By the way, Fujifilm X-T1 was the first camera to support remote shooting functions.

And now we come to the most delicate moment. Namely - a park of compatible optics. The X-T1 was Fujifilm’s first weatherproof mirrorless camera, but the company simply didn’t have time to release at least a couple of corresponding lenses. Recall that Nikon 1 AW1 went on sale simultaneously with two sealed "glasses". All that remains for Fujifilm is to publish their plans for the release of optics for the next year or two. Protected lenses will be marked WR and in 2014 there will be three such models. This trio looks like this: 18-135mm F3.5-5.6 R OIS WR, 16-55mm F2.8 R OIS WR and 50-140mm F2.8 R OIS WR. The first zoom lens will be released in June this year. But, of course, the camera is fully compatible with ordinary, unprotected lenses, among which there are very high-quality specimens.

Test shots, videos, battery life

Since we have already dealt with the X-Trans CMOS II sensor, the expectations regarding the noise level were quite high. But despite the fact that the sensor here is the same as in the X-E2, we still did a test shooting, as the result may depend on the internal image processing algorithms. Recall that test shooting is carried out at night, under artificial lighting with a 40 W incandescent lamp. Noise canceling functions are completely turned off or - if it is impossible to turn off completely - they are activated with minimum power.

Fujifilm X-T1 @ ISO 100

Fujifilm X-T1 @ ISO 200

Fujifilm X-T1 @ ISO 400

Fujifilm X-T1 @ ISO 800

Fujifilm X-T1 @ ISO 1600

Fujifilm X-T1 @ ISO 3200