Which lens to choose for a canon 650d for a beginner. Canon lenses: starter kit for beginners. The price for excellence is

With the announcement of the Eos 650D, Canon has taken, if not a revolution, then a big step forward for the entry-level segment. SLR cameras from indices xxxD. If the previous generation in the face of the 600D did not bring practically any improvements compared to its predecessor, then the new camera has very interesting features that are worth paying attention to, while maintaining the compactness and lightness inherent in all cameras in this series.

First of all, the presence of a touch screen is striking, this is the first mirror canon camera with such a function. But much more important is the emergence of a new autofocus mode - Movie Servo AF, which allows you to focus smoothly and silently when shooting video using new STM lenses (Stepping Motor / stepping motor). The camera also uses a new Digic 5 processor, which made it possible to expand the range of available iso and a new for this segment, although familiar to us from xxD cameras for a long time, a 9-point focusing system with all cross-shaped sensors and increased sensitivity of the central point.

Main specifications Canon 650D models:

• 18 megapixel APS-C CMOS sensor (1.6 crop), image resolution 5184 x 3456;
• The built-in system of cleaning of a matrix of dust.
• Fully compatible with EF/EF-S lenses and Speedlites (wireless external flash control possible);
• DIGIC 5 processor;
• Autofocus system 9-point all sensors are cross-type, in the center is a double cross-type sensor;
• Continuous focus tracking when shooting video, silent focus function when using STM lenses;
• Sensitivity ISO 100-12800 (Expandable to 25600);
• Burst shooting 5fps (series 22 JPEG or 6 RAW);
• Full HD movie recording at 30 fps with full manual control up to 30 minutes;
• 3.0″ (7.7cm) 3:2 swivel Clear View touchscreen with 1,040,000 pixel resolution;
• 63-zone iFCL exposure metering system with dual-layer sensor;
• Exposure compensation +/- 5 stops;
• Ability to select the maximum value in Auto ISO mode;
• Built-in stereo microphone;
• Battery capacity - 440 shots;
• New in-camera imaging modes: Night shooting handheld, HDR, Multi-frame noise reduction;
• SD / SDHC / SDXC memory cards.

The video system of the camera has undergone cardinal improvements, in addition to the silent focus mode, the expected tracking focus function when shooting video has also appeared. At the same time, the "iron" component of photography moved to a higher level of semi-professional cameras from the xxD line. In general, the release of the new camera makes buying the Canon 60D pointless, so we should expect a new announcement in this segment soon.

The distance between this camera and the 1100D has increased dramatically. If earlier the cameras of the xxxD series could only be recommended because of better video shooting, and the photographic part differed little, now the difference is more than noticeable. With the advent of a new autofocus system and a newer processor that allows you to increase the level of iso, the Canon 650D has become much more attractive in terms of ease of shooting and image quality. We can safely say that now this camera is suitable not only for beginners or amateurs, but also for professional photographers as a lightweight and space-saving backup camera.

Separately, it is worth mentioning multi-frame shooting modes with in-camera processing. They allow you to get unusual images without long and painstaking computer post-processing, as well as when shooting at night without the use of special equipment. Of course, you should not assume that the camera will make such a correction better than a person, but for an inexperienced user, these modes can be very useful.

A new Canon EF-S 18-135mm f/3.5-5.6 IS STM kit lens will be released alongside the camera. It differs from the current version with a stepper motor that reduces noise during focusing, which is important for shooting video and a reduced minimum focal length (0.39m at any zoom position) for more big plans. Another STM lens is also expected to appear - a thin and light EF 40mm f / 2.8 STM, which is also suitable for full-frame cameras, and it will be offered at a very affordable price.

The camera will be available at the end of June for a suggested retail price of $849.99 and $949.99 for a set with the EF-S 18-55mm f/3.5-5.6 IS II. The Movie Kit with the new EF-S 18-135mm f/3.5-5.6 IS STM lens will cost $1199. The lenses will retail for $199.99 and $549.99 for the EF 40mm f/2.8 STM and EF-S 18-135mm f/3.5-5.6 IS STM respectively.

Image Gallery Canon EOS 650D:

If you look at the specifications of the new camera and compare it with the 600D, you will find that not much has changed. It's still an 18 megapixel camera. sensor, 1080p video recording, Canon's 9-point autofocus system, and a 3-inch 1040k-dot fixed screen. pixels.

But a closer look reveals a host of new features and improvements that make these cameras very different in terms of handling and performance. The new model is equipped with a touch screen and supports the same manipulations as a conventional touch mobile phone, you can also easily focus and shoot using the display. The autofocus system has been radically revised, with the new hybrid system now incorporating detection and tracking capabilities into the main image sensor, allowing better continuous autofocusing in Live View and during movie recording. The EOS 650D is equipped with the latest Digic 5 processor that supports ISO 25600 and in-camera image correction.

Other improvements include continuous shooting, up from 3.7 fps. up to 5 frames / sec. Also in the new DSLR, you can select ISO sensitivity and HDR Backlight, with the help of which it became possible to expand the tonal range. Finally, Canon has announced two new lenses with stepper motor technology for faster, quieter autofocusing during movie recording. These are the 18-135mm and 40mm f2.8 lenses, which go great with the new camera.

The main competitor for the 650D will be the Nikon D5100, but until its release is announced, it's fair to compare the EOS 650D to the D3200. Read on and we will definitely make this comparison.

Canon EOS 650D construction and control

In terms of exterior design, the EOS 650D is very similar to its predecessor. Its dimensions are 133.1x99.8x78.8mm and the weight is 575 grams including battery and card. If we recall the parameters of the EOS 600D, we will get the same thing, +/- 1 mm, on one side or the other, the difference in weight is also insignificant, only 5 grams.

If you see this camera just on the street, you won't be able to tell it apart from the EOS 600D. Unless the nameplate on the front panel of the case has been redesigned into a switch. The built-in stereo microphone is located at the front of the hot shoe, and the buttons have disappeared from the display.

Nikon D3200 with memory card and battery weighs 505g and measures 125 x 96 x 76.5mm. In general, it is slightly smaller and much lighter, but still, the difference is relative, because choosing a different lens for one or another camera, we will get a completely different weight.

In terms of shooting modes, the 650D, like the previous model, supports Intelligent mode, Auto, Flash off, and multiple scene modes, ending with manual and night mode. As before, the memory card slot is located on the right side of the case and supports SD, SDHC, SDXC UHS cards. On the other side of the case, behind a soft plastic cover, you will find a mini HDMI port, a USB 2.0 port and an A / V output for analog connection to a standard TV. There is also a built-in stereo microphone, and a connector for an external microphone.

On the bottom plate is a tripod mount, which is located directly under the lens mount axis, the battery cover to the right of it.
The back panel is very similar to the EOS 600D. In fact, the layout of the buttons is exactly the same, although the shape of some buttons and labeling have been changed. AE/AF lock remained in the top right corner. There is still a 3-inch screen on the back of the camera, but now it is touch-sensitive, which is more relevant on this moment. With the new EOS 650D, we're seeing the return of the proximity sensor to automatically switch the screen while using the viewfinder. The sensor is mounted above the viewfinder on the rear of the camera, a very convenient placement.

The controls on the right side of the screen remain the same as in the 550D, but the panel itself has been slightly changed and some buttons are now placed in a different place. At the top of the panel you'll find the AV exposure compensation button, then the Q button. Below are the traditional four buttons that perform the same functions as previously on the 600D. The white balance button, autofocus mode button, and style button remain on the mode dial. Below the play and delete buttons. Canon has retained the depth of field control button and preview which can be found below.

Canon EOS 650D equipped with the same LP-E8 lithium-ion battery, which is used in two predecessors. The battery lasts approximately 400-440 shots on a single charge. If you shoot in Live View mode, the battery drains faster. There are four levels of battery charge in total, compared to the exact percentage used in Sony models, this is not very convenient. The life of the camera on a single charge can be extended by using the battery grip. In addition, mains power is possible, for this there is an additional adapter ACK-E8. In any case, the battery charge is rather weak, so it is better to buy a spare battery.

The EOS 650D is equipped with a built-in flash with a guide number of 13. The flash can be used in auto and manual modes. The camera has a red-eye mode, exposure compensation is possible. As before, there is a hot shoe for attaching an external Speedlite, and the sync speed remains at 1/200. The camera provides control of external Speedlites that are mounted on a hot shoe, you can adjust compensation, bracketing, sync and zoom. As expected, the model does not have a PC Sync port, but the 650D, like its predecessors, inherits support for wireless control.

Viewfinder and screen in the Canon EOS 650D

The EOS 650D retains the penta-mirror optical viewfinder with 95 percent coverage and 0.85X magnification. These are about the same indicators as most DSLRs of the same class, although there are still differences. The penta-mirror viewfinder on the Nikon D3200 has 95 percent coverage and 0.8x magnification, in theory the figures are very similar, but in practice the EOS 650D gives better results.

The 3" hinged screen has the same dimensions and resolution of 1040 thousand pixels, as in the previous model, but now the display has become touch - for the first time among Canon DSLRs. The screen is very sensitive and supports multi-touch, and this is familiar to most of the work with phones and tablets.

The touch screens on these cameras usually get a positive response, but the response from photography enthusiasts has been mixed. Touch control complements, but does not replace, manual control, you can turn off the touch screen altogether and work with the camera without it, although in my opinion this is not necessary.

Lens and Image Stabilization in the Canon EOS 650D

The EOS 650D uses a Canon EF lens mount and is compatible with all EF and EF-S lenses. APS-C sensor reduces the effective area. Two new lenses have been announced with this model - the EF-S 18-135 f3.5-5.6 IS STM and the EF 40mm f2.8 STM pancake lens. The lenses are equipped with a stepping motor for auto focus, this motor is commonly used in mirrorless compact cameras and ensures silent autofocus operation, making it ideal for shooting video with continuous autofocus. The camera provides smooth autofocus performance when recording video, a first for Canon to achieve such results in a camera of this level.

The effective range of the 18-135 Lens Kit STM makes it a great all-around lens. The EF 40mm f2.8 STM lens is quite slow on the 650D, this lens would be more suitable for a full frame camera, here it can show itself at 100%.

Canon EOS 650D with EF-S 18-135mm IS STM lens normal view (18mm (29mm equivalent))

Canon EOS 650D with EF-S 18-135mm IS STM lens closest zoom (135mm (216mm equivalent))
To test image stabilization, we set the lens to the closest zoom equivalent to 216mm and took a series of shots in shutter-priority mode at various shutter speeds with image stabilization on. As you can see, the image stabilization worked well, with images crisp and sharp at speeds up to 1/8.

Canon EOS 650D with EF-S 18-135mm IS STM image stabilization off / on

100% coverage, 18-135mm at 135mm ISO 100 1/8 included.

100% coverage, 18-135mm at 135mm ISO 100 1/8 off.

Shooting modes in the Canon EOS 650D

EOS 650D uses the same 63-zone exposure metering system, as well as other models with APS-C matrix from 1100D to 7D. Total there are four modes - evaluative (default), partial, spot and center-weighted. The evaluation mode is quite accurate and works well with most lenses.

You can simply switch to Intelligent Scene or Auto Scene, which is used to determine the best exposure. In addition to the PASM modes, there are others such as the creative mode where you can control the depth of field, white balance, exposure and other settings, and there are seven scene modes. Two of them are composite - the manual "NIGHT" mode, which takes four frames with a given ISO sensitivity and combines them, thereby reducing the noise level, the result is saved instantly. Another option for composite photography is called "HDR Backlight Control", the camera takes three shots with different values exposures and then combines them into a single high dynamic range image. Thus, the details of the object are well preserved. HDR Backlight Control sets the ISO sensitivity automatically. For the example below, the ISO sensitivity was set to 640, the picture shown next was taken in aperture-priority mode at ISO 400. As you can see, the HDR version retains more detail in the highlights around the stained glass window.

aperture priority. Canon EOS 650D with EF-S 18-135mm lens

HDR Backlight Control. Canon EOS 650D with EF-S 18-135mm lens

Exposure compensation is available in 1/3 increments (give or take), five different positions are possible, and AE bracketing can be set over three frames up to 2EV.

The 650D has retained Picture Styles as they were in previous models, which apply sharpness, contrast, saturation, and hue. Shooting can be done in the following modes - Auto, Standard, Portrait, Landscape, Neutral and three custom modes. The monochrome version offers four filters and four toning effects. Also changed compared to the 600D is the Auto Lighting Optimizer, which adjusts the brightness and contrast of the image with dark areas and Highlight Tone Priority, which expands dynamic range to keep the details in the image.

The EOS 650D also inherits Peripheral Illumination Correction, which is applied to JPEG images to reduce vignetting where the image has dark corners. Peripheral illumination correction is enabled by default.

Color fringing correction is a welcome addition. And this feature is not inherited from its predecessor - the EOS 600D camera, but taken from the EOS 60D model. This option is disabled by default. The example below clearly shows how useful and effective this option is. Don't forget to enable it on your camera.

Canon EOS 650D chromatic aberration correction disabled. EF-S 18-135mm f3.5-5.6 IS STM f3.5 ISO 100

Canon EOS 650D chromatic aberration correction enabled. EF-S 18-135mm f3.5-5.6 IS STM f3.5 ISO 100

Image processing in the Canon EOS 650D

The addition of the touch screen makes the EOS 650D very convenient for in-camera image processing, much more convenient than the EOS 600D. The first thing to say about the touch screen is that if you don't like working with it, you can always turn it off and work just like you did with other Canon DSLRs - all operations and functions in the camera are doable and without sensor.

The screen can be used to navigate and select menu items. The most interesting thing here is that Canon has hardly had to modify the icons and menus on the screen, which are generally the same as in the 600D, and yet they work very well with touch controls. When selected, most menu items are displayed on a new page, where they are presented as a large touch icon. The screen is very accurate and sensitive, with it you can easily and quickly set your camera to the desired shooting mode.

By using the latest technologies introduced to the touch screen of the EOS 600D, camera operation will become more convenient. Not only setting the basic shooting parameters, but shooting itself with it will become easier and more convenient. The touchscreen allows you to adjust the focus of the camera without much effort and unnecessary movements, which in the future may affect the quality of the pictures. Especially if you're shooting at slow shutter speeds, where the slightest camera shake results in blurry shots. Or when recording a video, where the button press can be heard in the video file. At first, working with a touch screen may seem inconvenient, but in the future you will experience all the delights of such work.

The autofocus system has been radically updated, and this is the most important innovation developed in the EOS 650D. As before, the 650D has a traditional autofocus system that works when using the optical viewfinder. All nine sensors are cross-shaped, that is, they are sensitive to both vertically and horizontally oriented objects, and the central one provides increased (double) sensitivity when using lenses with a maximum aperture ratio of 1:2.8 or higher.

Canon 650D uses what is called hybrid autofocus. Here are introduced latest systems detection of AF points, the sensor itself is actually focused, then the focus is refined using a contrast detection system. This means that autofocus should be faster and more accurate because the detection phase determines whether the subject is located within the current focus point.

The 650D's new hybrid autofocus system enables fast, high-quality focusing, as well as continuous Live View shooting and movie recording. At the moment, hybrid autofocus is most effective in video shooting, where the ability to accurately and consistently focus is critical.

Continuous shooting with the Canon EOS 650D

Canon EOS 650D has one mode available continuous shooting at 5 frames per second and that's a huge improvement over the 3.7 fps of the previous model. The buffer can hold 22 large JPEG images or 8 RAW files. Shooting in JPEG at ISO 100, the 650D can shoot 100 frames at 5 frames per second. When shooting in RAW mode, the shooting speed will be slightly faster than 5 fps.

The 650D shoots well in continuous shooting, at a faster speed than the same Nikon D3200 (by 1 frame per second), although due to the smaller buffer in Canon, when shooting RAW, you will get 6 frames instead of 14 (for Nikon D3200). For better work in continuous shooting with Canon, you'd better get a semi-professional camera model. The 60D isn't much faster (5.3fps), but it does have a larger buffer, allowing you to shoot a lot more images in both RAW and JPEG, so you can shoot as long as the memory runs out. If fast burst shooting is one of the key indicators camera performance for you, it is better to consider purchasing a 7D with maximum speed 7 fps where the buffer will be enough for 25 RAW images. Also you can consider Sony cameras, they offer reasonably fast burst shooting in their models.

Matrix in Canon EOS 650D

The EOS 650D has an 18-megapixel 22.3 x 14.9mm sensor that will give you a maximum image size of 5184 x 3456 pixels and a 3:2 aspect ratio. ISO sensitivity range 100 to 25600, shutter speed range 30 to 1/4000, flash sync speed 1/200.

Image data can be saved in RAW or JPEG format. The best quality JPEG images will take up approximately 6 to 10 MB of memory.

Canon EOS 650D and Nikon D3200 - quality comparison

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To compare actual performance, a few shots were taken with the Canon EOS 650D and Nikon D3200, using the best settings of both on the JPEG camera.

The Canon was fitted with an EF-S 18-135mm f3.5-5.6 IS lens, while the Nikon D3200 was fitted with a Nikkor 18-55mm f3.5-5.6 VR.

Both cameras were set to aperture priority mode, image stabilization was turned off, shooting was carried out using a tripod. All other settings were set to default. The 650D was set to the Auto Lighting Optimizer standard, with built-in lighting correction and chromatic aberration correction turned off. D-Lighting was enabled on the D3200. The ISO sensitivity is 100 and was manually set on both cameras.
The image was taken with a Canon EOS 650D in aperture priority mode set to f8 and ISO 100. In this case, the shutter speed was 1/500, on the D3200, with the same aperture settings, the shutter speed is 1/400.
The image taken with the EOS 650D is clearer, better color reproduction is visible, the picture is more contrast. In the Nikon photo, we see a more blurred image.

Photo taken by Nikon D3200

Despite the difficult weather conditions, the lighthouse looks very sharp on both cameras, but the houses in the middle and foreground make our comparison more interesting. in pictures from the EOS 650D, the edges look sharper and sharper.

Photo taken by Nikon D3200

Photo taken by Canon EOS 650D

The third image shows that Canon's new 18-135mm lens suffers quite a bit from edge chromatic aberration even at f8. Thankfully this isn't a problem as the EOS 650D now has chromatic aberration correction, just remember to enable this option.

Photo taken by Nikon D3200

Photo taken by Canon EOS 650D

The last shot only enhances the good impressions left after viewing photos taken with the EOS 650D, and again we see a detailed, clear, contrasting shot. It becomes apparent that the detail of small objects in the 650D is much better than that of its competitor D3200.

Photo taken by Nikon D3200

Photo taken by Canon EOS 650D

Movie shooting mode in Canon EOS 650D

650D has the same movie shooting functions as the 600D. Shooting is possible at the following settings - 1080p25, 720p50 1080p24 and 640p25. So you can switch from 25 frames per second to 50, and change 30 to 60 frames per second.

As before, the video is encoded using H.264 and the audio file is stored in the QuickTime MOV format. The maximum recording time for a single clip is 29 minutes and 59 seconds. There is also a single file size limit of 4 GB, if a file exceeds this size, it is automatically split into two files. The weight of one minute is about 330MB in any of the HD video modes, and at 720 and 1080, the weight will remain the same due to the higher frame rate. Thus, the 4 GB limit will be reached in about 12 minutes, regardless of HD quality settings. When this happens, a new file will be created automatically without interrupting the recording. A fully charged battery should last approximately one hour and 40 minutes of recording.

The EOS 600D microphone has been upgraded, and now the 650D has a new stereo mic, as well as a 3.5mm external mic jack. The sound recording level is set automatically, by default, but you can also set it manually using the sound menu. The camera has a filter that suppresses external noise and wind. The 650D also retains a function whereby the camera makes a series of short clips of a specified length of 2, 4, or 8 seconds and adds them to an album.
To enter video mode, you now need to press the on / off button, indicated by the video camera icon. The aperture level is in auto mode, shutter speed and ISO sensitivity are also set automatically, but by turning the mode dial to the M position, you have full control over all possible shooting parameters.

The biggest change in video recording in the EOS 650D is the touchscreen combined with hybrid autofocus. This allows you to control focus while recording silently (assuming you have one of the STM lenses), quickly and accurately. This really translates into new level video recording capabilities in Canon cameras.

The 650D has an improved touch screen than mirrorless cameras. This camera has touch buttons on the screen, one of which allows you to switch to Servo AF mode. This mode allows you to detect the speed of a moving subject and accurately focus on it when it is in the right place, using the touch screen, you can easily and quickly turn on the Servo AF mode and start working. In manual exposure mode, you can adjust aperture, shutter speed and ISO using the buttons on the touch screen. You can adjust all these parameters with the physical buttons, but during shooting, especially video shooting, this can lead to unwanted sounds and camera shake.

All this makes the manual control system very convenient, but still, it is not perfect. The detection sensors are located in the center of the screen, which means that if your subject deviates to the edge of the frame, autofocus will either choose to focus on something that is located in the center of the frame or switch to a slow contrast system. And if you move your subject closer or further away from the subject, the autofocus will take a few seconds to adjust again.

Canon EOS 650D with EF-S 18-135mm STM lens first sample video. Street, sunny, manual control system.

At first glance, videos shot with the 650D look great. This video, like all the others, was filmed in the best quality (1080p25). Stabilization works well, there is no noise from the autofocus. Usually when zooming the lens, the camera jumps, staggers a little, but in this case everything worked perfectly.

Canon EOS 650D with EF-S 18-135mm STM second sample video. Street, sunny, tripod used

For this video, a tripod was set up and the panorama mode was set, stabilization was disabled. Servo AF is on.

Canon EOS 650D with EF-S 18-135mm STM third sample video. Indoors, low light, manual control.

This video was shot in auto mode and exposure setting, the camera moves a little more than in other Canon models.

Canon EOS 650D with EF-S 18-135mm STM fourth sample video: autofocus, touch control

Here is an example of working with touch when focusing in a video. This time the camera is in manual mode with aperture at f4 and auto ISO. The first thing to note is that we absolutely cannot hear the sound of the lens. The work of the focus is quite positive, especially when approaching. This video was taken in low light, but the results are impressive nonetheless.

Canon EOS 650D with EF-S 10-22mm STM fifth sample video. Autofocus, touch control.

The hybrid matrix proved to be excellent when recording a video file, minor flaws in the work are noticeable, but they are insignificant. Please note that the sounds of camera adjustment and lens zoom are almost inaudible.

Canon EOS 650D with EF-S 18-135mm STM sixth sample video: Tracking AF

This video tested the tracking system, shot at maximum zoom (135mm), aperture set to f5.6, also used the touchscreen to lock focus, thanks to hybrid autofocus, the main subjects of the video were in focus throughout the video.

Sample images taken with the Canon EOS 650D

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The following images were taken using a Canon EOS 650D with an EF-S 18-135mm lens attached. Photographed in automatic mode (unless otherwise specified)
Image stabilization was turned on because the pictures were taken without the aid of a tripod. The white balance has been set automatically and the image compression ratio is high.

Landscape: 7.14MB, software auto, 1/320, F10, ISO 100, 18-135mm at 18mm (29mm equiv)

Landscape: 7.19MB, programs auto, 1/125, f7.1, ISO 100, 18-135mm at 18mm (29mm equiv)

Landscape: 7.87MB, programs auto, 1/400, f8, ISO 200, 18-135mm at 135mm (216mm equiv)

Portrait: 5.52MB, programs auto, 1/200, f8, ISO 100, 18-135mm at 50mm (80mm equiv)

Macro: 7.2MB, close mode, 1/200, f5.6, ISO 400, 18-135mm at 135mm (216mm equiv)

Interior: 6.39MB, programs auto, 1/60, f4, ISO 100, 18-135mm at 18mm (29mm equiv)

Landscape: 10.79MB, programs auto, 1/250, F10, ISO 100, 18-135mm at 18mm (29mm equiv)

Interior: 6.58MB, programs auto, 1/100, f5.6, ISO 400, 18-135mm at 18mm (29mm equiv)

Interior: 5.31MB, programs auto, 1/400, f7.1, ISO 100, 18-135mm at 135mm (216mm equiv)

Interior: 6.56Mb, programs auto, 1/80, f4, ISO 1600, 18-135mm at 18mm (29mm equiv)

Macro: 4.3MB, close mode, 1/320, f5.6, ISO 100, 18-135mm at 79mm (126mm equiv)

Canon EOS 650D vs Nikon D3200 Comparison Results

D3200 is the latest Nikon camera, entry level. This camera is very similar in some respects to the EOS 650D, so the comparison between the two cameras is quite appropriate. The first thing that a beginner who wants to buy an inexpensive and high-quality camera should pay attention to is the touch screen, which makes it much easier to work with the 650D, making camera control more convenient.

Another beginner-friendly innovation in the 650D is a hybrid focusing system with 9 cross-shaped sensors capable of detecting and tracking the subject in focus. The D3200 has 11 AF points, including one cross point. In both continuous shooting and autofocus video shooting, the 650D performed much better.

Another advantage in the 650D is the new set of STM lenses. They have motors that run almost silently without making any distracting sounds while the camera is focusing in video recording. Even with older lenses, the 650D works well, you can use all Canon EF and EF-S lenses while shooting, and all the functions and features of these lenses will be preserved, while in the D3200 autofocus will only work with the latest models. lenses.

EOS 650D features fast continuous shooting, a high maximum ISO of 25600, super shooting noise reduction, wireless flash control and AE bracketing.

The D3200 still has one main advantage over the EOS 650D, which is a higher matrix resolution of 24 megapixels. . However, during the testing of the cameras, it was difficult to understand what benefits this brings. The images taken with the 650D are much sharper, more detailed than those of the D3200, and Canon's camera performed better at high ISOs.
Overall, it is clear that the 650D is the best camera than D3200, but for these additional features and high performance comes at a price. The D3200 is a more affordable camera than the 650D. Soon, Nikon will release a new model of the D5100 camera, then the comparison will be more fair.

Canon EOS 650D. conclusions

The Canon EOS 650D is Canon's best entry-level camera. It fits in perfectly with the EOS 600D and EOS 60D line of cameras, these cameras have a lot in common, but the new EOS 650D has many features that were not available in previous models. It has a new sensor, but with the same resolution of 18 megapixels, it has the same 3-inch display, but in this model it has become touch.

The touch screen on the EOS 600D has proven to work great, it's very sensitive and accurate, and it makes using the camera easy and comfortable. The new touch display has the potential to attract many new customers who will appreciate Canon's revolutionary innovation.

The Canon 650d is rated as the best consumer SLR by most photography and video enthusiasts. It is optimal for those who have recently fixed best moments your life with the help digital camera or smartphone.

Canon 650d will provide incomparably best quality pictures and videos in any lighting conditions. The peculiarity of this model is that it was the first to use hybrid autofocus and touch screen technology.

Prices

The most expensive cameras of this model are in a kit configuration with an 18-135 lens. Canon 650d price starts from 30 190 rubles. The price range for the Canon EOS 650 d kit 18-55 is from 21,990 rubles. up to 23,599 rubles.

The cost of body cameras, that is, devices not equipped with lenses, starts from 14,800 rubles. They can be supplemented with another type of optics released simultaneously with the 650 model - the small-sized EF 40 mm F / 2.8 STM, which is called “pancake” among amateur and professional photographers. But he works with this camera rather slowly.

Appearance

The design of this camera is largely similar to its predecessor, the Canon 600d. The difference in the dimensions of the devices is +/- 1 mm. Buttons have been removed from the display, stereo microphones have been moved to the top of the case and are located next to the connector for connecting an external flash.

Together with the battery, the weight of the device is 575 grams. If the shape of this camera is generalized to a parallelepiped, then its dimensions will be as follows: 13/10/7.9 cm. The color is black, the plastic is pleasant to the touch, with a rough surface.

Complete set

Canon 650d EF-S 18-135mm

Simultaneously with the release of the Canon 650d camera, the manufacturer pleased amateur photographers with the release of new lenses, one of which is the EF-S 18-135 mm. This optic is notable for its fast and quiet operation in video mode. The device belongs to the EF-S series, which means that it is intended for devices with an APS-C format matrix. Canon 650 d 18-135 d is the most expensive and successful equipment.

The undoubted advantage of this lens is its equipped with a dynamic stabilization system. That is, all movements and camera shakes (for example, when stepping or moving in a car) during shooting are automatically compensated, which allows you to get high-quality professional-level videos.

For the first time, STM technology was used for DSLRs on the EF-S 18-135, that is, linear stepper motors were used for autofocusing. Prior to this, such motors were present only in mirrorless vehicles.

Canon 650d EF-S 18-55mm

This lens has become "traditional" for Canon. It is cheaper, but has proven to be reliable and capable of producing quality photos and videos. In autofocus mode, it shoots excellently. Since the Canon 650d 18-55 is more budget-friendly, it is the best option for a beginner.

SLR camera review: one of the most budget and affordable.

Looking for an entry-level Canon camera? Take a closer look at the Canon 600d: simple settings, great shots. .

Better results can be obtained with upgraded STM lenses, which are endowed with stepper autofocus drives. It is controlled by a button, almost all the main adjustments can be made with a single touch: ISO, WB, autofocus order, timer setting. A free choice of focus is made using the viewfinder in the Canon EOS 650D.

Comparisons

Canon 600d

• release time: Canon 650d - Winter 2011, Canon 600d - Fall 2012
• for the first time in the Canon 650d line of models, the screen became touch
• the minimum ISO for the Canon 600d model is 6400, for the Canon 650d it is 12800
• extended ISO: respectively 12800 - 25600
• cross focus points: Canon 600d - 1, Canon 650d - 9
• FPS, JPEG (burst speed): 3.6 fps - 5 fps
• Kiss Digital: Canon 600d has X5, Canon 650d has X6i
• Digital Rebel respectively: T3i - T4i

It is difficult to say which camera is better: Canon 650 or 600. Both of these devices are worthy creations of this Japanese manufacturer. Each model has a convenient swivel screen, autofocus, intelligent mode.
The Canon 650d has a more powerful DIGIC 5 image processor (the Canon 600d has DIGIC 4). More high speed response to the actions of the photographer, shooting dynamic events is great.

A feature of the Canon 650d is the ability to shoot in low light conditions without using flash, since the ISO is expandable to 25600 units.

Photos are more detailed in color, the processor allows you to achieve smoother transitions of shades, pictures with a lack of light are clearer. The EOS series has a built-in EOS Movie Photographer function, largely due to which the quality of the videos is improved.

The hybrid focus system tracks the subject on its own as you shoot. A built-in mini-HDM port enhances the camera's usability, allowing you to view all your shots on your TV screen.

There is an HDR BacklightControl function, it provides the ability to shoot the same object with different exposures, as a result of combining frames, high-resolution photos are obtained.

Despite the fact that both Canon 600d and Canon 650d models have the same 18 pixels. matrices, the same video format, screen size, functionality of all 4 buttons, the differences between these devices are quite significant. And all of them in terms of management and performance.

Canon 650d video is actually professional, there is a continuous shooting mode. In this camera, the manufacturer has returned the motion sensor for automatic screen switching.

Nikon d5200

Canon and Nikon are longtime rivals: both the Canon 650d and Canon 650d have a lot going for them, both delivering superb performance in terms of stills and videos, handling and ease of use. You can choose which one to buy, Nikon 5200 or Canon 650, only by feeling, holding both cameras in your hands.

Some fans have their own long-standing preferences for one of the brands, and for beginners, the Canon 650d model is still more convenient than the Nikon D5200: it actually does not require manual control. This is the best entry-level DSLR not only among Canon brothers, but also Nikon and Sony.

How to shoot video on canon 650d

Better results can be obtained with upgraded STM lenses, which are endowed with stepper autofocus drives. It is controlled thanks to the button, almost all the main adjustments can be made with a single touch: ISO, WB, autofocus order, timer setting. A free choice of focus is made using the viewfinder in the Canon EOS 650D.

The sensor that can be programmed is the main button of the Navigator; her functionality: selection of image efficiency, flash adjustment, "on" and "off" of the informative device, ordering the provided features, ISO adjustments.

Along with the classic video, there is an alternative way using the touch screen. By pressing the Q button or the corresponding mark on the display, the screen will show the quick menu. The various settings provided can be changed both using standard buttons and by touching the screen.

Video recording takes place with a resolution function up to 1920x1080 at 30 pictures per second. By lowering the resolution properties to 1280x720, it is possible to increase the frame rate to 60. Video should be made using program or manual exposure mode. Adjusting the demo parameters is available during shooting, then their change is observed in a stepwise manner. Continuous autofocus is possible during movie shooting.

Earlier we already talked about lenses for Nikon D7000 (D7100) and for Nikon D5100 (D5200, D5300). It's Canon's turn. Let's talk about today best lenses for 650D and 700D cameras. Most of the lenses mentioned today will also work well with older models such as 600D, 550D etc.

UPD. The site also has an article on lenses for the Canon 60D and 70D. It mainly deals with more premium glasses, but, nevertheless, all of them are also suitable for cameras of the younger line. So for those who choose a lens for the Canon 600D (and its updated versions), it will be useful to familiarize yourself with that material.

First, let me remind you, you never know: Canon 650D, 700D and others cameras are all cameras of the same line. The smaller the three-digit number before the letter D, the older the camera model. Accordingly, today the newest device is the Canon 700D. However, even the Canon 600D is still sold in Russian stores. Models 650D and 700D are very similar. From older cameras in the line, they are noticeably distinguished by the support for STM motors present in modern lenses.

Universal lenses for Canon 700D (650D)

Both zoom lenses and lenses with a fixed focal length are universal. I talked about the difference between fixes and zooms in a separate article. A universal lens is basically a lens that is suitable for photography in various genres: portrait, landscape, street, and so on. The lenses described below are quite suitable for the role of universal ones.

Canon EF-S 18-55mm f/3.5-5.6 IS STM- I talked about this lens in the video review, and then in the corresponding article. This is Canon's newest 18-55mm lens. With cameras like the Canon 700D, this lens is included (if you buy a kit, not a body , of course). If you are buying your first camera, then this lens may be right for you. But, in general, the quality of the picture received from it leaves much to be desired. However, its main advantage is the presence of the same STM motor that the 650 and 700D carcasses will work with. And the work of this motor is that it allows you to shoot video with autofocus, which works quite smoothly and practically does not make noise. All in all, the Canon 18-55mm STM is a good choice if you're interested in the full range of multimedia options your camera has to offer, not just photography.

Canon EF-S 18-135mm f/3.5-5.6 IS STM- the multiplicity of this zoom is greater than that of the previous one, which makes it even a little more versatile, allowing you to take pictures, including in the television range. Roughly speaking, compared to 18-55mm, it is better suited for photographing distant objects. Everything else is the same here. A wide angle of approximately 74 degrees at 18mm allows you to capture a large number of objects in one frame, and at focal lengths from 85 to 135 you can get an acceptable portrait.

Tamron SP AF 17-50mm f/2.8 XR Di II LD Aspherical (IF) Canon EF-S- this is a more "adult" version. This lens has a fast aperture (f/2.8), which brings a number of advantages, including more background blur (by 50mm compared to the same 18-55mm STM) and the ability to get less noise in photos in low light conditions. I specially simplify your life and do not write in “smart” words, but if you are interested, you can read about what aperture, ISO and shutter speed are in a separate article. Returning to the conversation about Tamron 17-50mm, it is worth noting a number of interesting facts. Firstly, this lens is produced not only for Canon cameras (like other third-party lenses, which will be described below). So, look carefully if you decide to buy it - whether you are buying for the right system. Secondly, two versions of the Tamron 17-50mm lens are now on sale - with and without a stabilizer. Above is the full name of the version without a stabilizer for the Canon EF-S mount. The version with a stabilizer is indicated by the additional abbreviation VC and costs a little more. If you do not want to overpay, then you can take the version without a stabilizer. Moreover, there is a legend that the picture from it is sharper.

Sigma AF 17-50mm f/2.8 EX DC OS HSM- I never get tired of repeating that this lens is one of the best universal lenses in terms of price / quality ratio. Of course, this is the case if you responsibly approached the choice of a quality copy in the store. The lens is similar to Tamron, but better in sharpness, focusing speed and accuracy, as well as in workmanship (more robust design). If you've been shooting with a kit lens long enough, it might be time to take a closer look. For example, on this "Sigma".

Canon EF-S 17-55mm f/2.8 IS USM- for those who have a Canon camera for more than a day, this lens is familiar. Mostly rumored, because it is the most expensive universal zoom for Canon crop cameras. You can safely take it even for photographing an important event, for example, a wedding. This lens is close in meaning to the Sigma 17-50mm, but not at all close in price. In general, if you are a fan of the very best or choose a lens for commercial purposes, then pay attention to the Canon 17-55mm. The lens is bought not for one day, but for several years. Usually with the prospect of switching to a more reportage camera. Like the Canon 7D Mark II.

Canon EF-S 24mm f/2.8 STM- it's already fixed. A fairly new pancake lens. If it didn't exist, I would talk about 40mm f/2.8 . But for a crop camera, a 24mm lens is more convenient, its EGF on a 700D or 650D camera is about 38mm. That is, it gives about the same field of view on crop as 40mm f / 2.8 in full frame. All in all, the 38mm is a great EGF for landscapes, street photography, and even portraiture (if you try hard enough). A small drawback of the lens is that it is designed for crop cameras. Transferring it to FF will not work. But if you do not plan to switch to full frame in the near future, then there is nothing to worry about. It's a great lens on its own - sharp and small. It is in the latter that its advantage.

Canon EF 28mm f/1.8 USM- a great option for those who still will switch from crop to full frame. In addition, the lens has a large aperture (f/1.8) and a low price compared to the Sigma 35mm f/1.4 Art and Canon EF 35mm f/2 IS USM lenses, which could be recommended if not for their price. As for the differences between the 28mm lens and the pancake described above, firstly, the Canon EF 28mm f / 1.8 USM is much larger, and secondly, it has a USM motor instead of an STM motor, which will not allow full use of autofocus during video shooting.

Wide Angle Lenses for Canon 650D, 700D

Wide-angle and ultra-wide-angle lenses are used for architectural, landscape and interior photography. Well, for everything else, what is enough imagination. As the name implies, these lenses have a very wide angle of view (and short focal lengths, respectively).

Tokina AT-X 116 Pro DX II- one of the best ultra-wide-angle lenses for crop. I reviewed the first version. The difference between the first and second is more marketing than real. So, it is quite possible to purchase the first version. Including in the used version, they are sold quite often - the lens is popular. For some reason, Tokina is constantly encrypted, and if it is not clear from the name, I will explain: this lens has focal lengths of 11-16mm, and its aperture is f / 2.8 (which is not reflected in the name at all). This lens will soon replace the Tokina 11-20mm, which has already been announced but not yet sold.

Tokina AT-X 128 f/4 PRO DX- a cheaper and more versatile analogue. Aperture is a little less, but focal lengths are pleasantly larger. From 12 to 28 mm. Please note that both this and the previous lenses are suitable for the Canon 650D and 700D, but will no longer fit the full frame.

Sigma AF 8-16mm f/4.5-5.6 DC HSM- if you want quality, then look at Tokina. But if you need an extremely wide angle, then there is nothing cooler than this Sigma. Minimum focal length 8mm. And pay attention - this is not a fisheye. It's still a proper over-width. Naturally, this lens is exclusively for crop cameras.

Canon EF-S 10-18mm f/4.5-5.6 IS STM- if you like native glasses, then I hasten to please you. Canon has a relatively inexpensive ultra-wide lens for crop cameras. It appeared quite recently, what it is - is not yet entirely clear. There is also a Canon EF-S 10-22mm f/3.5-4.5 USM lens - as you can see, firstly, it is not STM, and secondly, it is more expensive. Its plus is luminosity. As for the picture, it does not outperform the new 10-18mm in terms of its quality. That is, in theory, it is better to save money and look at the new version.

Portrait lenses for Canon 700D and 650D

Among the beginners, as you know, there are many lovers of "bokeh". Yes, we are talking about blurring the background. High-aperture telephoto lenses can blur the background as much as possible. Which one is best suited for shooting portraits on Canon 650D and 700D cameras? Let's see.

Canon EF 85mm f/1.8 USM is the old guard, one of Canon's most popular portrait lenses. It is used by both amateurs and professional photographers. The lens allows you to get good pictures. Sure, it's a bit soapy at f/1.8, but Canon doesn't offer anything better at this price point.

Samyang 85mm f/1.4 AS IF- This is a manual lens from Samyang. In fact, it outperforms the native 85mm 1.8 in all respects: it is sharper, cheaper, faster. Loses only one at a time - it does not have autofocus. If this does not scare you, then it is quite possible to consider Samyang 85mm for purchase.

Basically, this is the choice. Very modest. One could also mention the Helios 40, which was again started to be produced. But this glass is specific, it is worth buying it only 10 times thinking. The Sigma 85mm f/1.4 lens is good, but its price is too high today for me to recommend it for a 700D level camera. The Canon 135mm L is a great full-frame portrait but too narrow on the crop.

Telephoto lens for Canon 650D (700D)

Telephoto lenses allow you to shoot objects at a distance. They are used for shooting sports events (football, car racing), outdoor exhibitions (dog shows, etc.), shooting air shows, as well as for photography.

Canon EF 70-200mm f/4L USM- the most popular lens. This L-series glass is one of the most affordable. This lens is white (a feature of Canon L telephoto lenses). It is well suited for photographing the previously described events. Unless, for an exhibition like MAKS (International Aviation and Space Salon), something with a larger focal length is required. We will consider such lenses below.

Canon EF-S 55-250mm f/4-5.6 IS STM- a budget version of the previous glass. Only suitable for crop cameras. If you are unfamiliar with these focal lengths(television range) and you don’t know whether you need such a lens in principle or not, then it’s quite possible to pay attention to 55-250mm. In addition to the price, it has at least two more pluses - the presence of an image stabilizer and an STM motor. If you don't need the latter or just want to save money, there's a cheaper version of this lens, the Canon EF-S 55-250mm f/4.0-5.6 IS II.

Sigma AF 150-500mm f/5-6.3 APO DG OS HSM- one of the most affordable lenses with such focal lengths. Perfect for photographing very distant objects. For example, the same air show. Also suitable for photography is much better than previous models.

Canon EF 70-300mm f/4.0-5.6 IS USM is a good option if you want more quality than the 55-250mm offers. The lens does its job well, and at 200-300mm it is quite possible to photograph wildlife.

conclusions

I tried to describe the most popular and worthy lenses that you can safely use on Canon 700D and 650D cameras. Also, all of them are suitable for earlier models of the series (600D, 550D, etc.), the only thing is that the old carcasses do not support STM technology, and, accordingly, there will be no adequate autofocus in the video with any lenses. Otherwise, the recommendations will be the same. Of course, the immensity cannot be embraced - there are still many worthy glasses, they just did not find a place in today's article. If you are already using a lens on Canon camera 650D or 700D, you like it, but it is not in the article - write your opinion in the comments, it will be useful to those who are puzzled by the search. If you have any other questions, then you can also ask me or other site visitors in the discussion below. And that's all for today, make the right choice!

UPD. Which lens to choose for Canon 600D, 700D, 800D (video)

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